Not everything in life needs to be hard. Creating a unique sound can be easy and fun. RE4ORM does just that by providing simple macro-driven control over a powerful additive synthesis engine. It’s never been easier to get inspired.
Have you ever heard someone say (it may even be you) I’m not a sound designer? Or, I don’t use a synth in that way, I just fiddle with presets? I’ve begun to really loathe the phrase “Sound designer”. Because it’s become a phrase that makes people think of synthesis in a way that is not accessible to them. Well, I’ve got news for you; if you push one slider or twist one knob on a synth in order to change the sound, YOU ARE a sound designer. It’s time that we stop being afraid of actually learning how to use our instruments.
So you’ve heard of Granular Synthesis and you may well have used Granular Synthesis in your tracks but do you know what’s actually going on when you hear that distinctive sci-fi or ambient sound it can produce? Well, look no further as synth royalty King Unique is back to take an in-depth look at where it all started, what’s happening to the audio, and the terminology used, so you can master this epic form of synthesis to get sounds unavailable elsewhere to use in your tracks. Once you’ve got to grips with Granular, you can create some amazing effects or merge it with your more recognised subtractive synth sounds to create unique patches that will raise your sound design bar up a notch. Check it out!
Ever wanted to get your head around Additive Synthesis? Look no further as King Unique is back with us this week to shed light on what is regarded as a pretty complex form of synthesis but has been made a lot more accessible with new soft-synths that manage the hard work for you under the hood. Over the next two hours, Matt takes us back to the 1800’s where it all started and gives the lowdown into what is actually happening when using an additive synth giving visual examples as well as audible to really get to grips with the subject. Once grasped there really is no limits to the sounds you can make so check it out and take your skillz to the next level!
Techno and electro producer Boris Bunnik delves deep into his synths and he has been a keen Analog Four user since the early days of it’s release. As Conforce he’s known for his deep sophisticated and crispy techno, with Versalife he’s known for more sci-fi vintage melancholic electro. He decided to share a part of his Analog Four presets in this brand new soundpack. His Dark Synthesis soundbank focusses on the conceptual darker spectrum of techno melancholy from industrial cities. Whether you want to go Detroit, Rotterdam or Berlin techno this soundbank is for you. Are you missing some of the shimmering pads, deep bass? Interstellar bleeps, or haunting grumpy drones? Dive deeper into the Dark Synthesis soundbank and get the vibes rolling. All patches are crafted with love and attention. All killer! No filler and no bullshit patches!
D’cota provides four ADSR envelopes and two freely synchronizable LFOs for each of the three synthesis forms. Eight different types of filter and two waveform generators feed two independent spectrum stages with user-definable curves. The integrated Morph function allows easy fading between the two spectra in real-time. With its delays, distortion units, modulators and three oscillators featuring more than 60 waveforms for frequency, pulse width and ring modulation, the breathtaking power of the D’cota effect section opens up new, previously unexplored soundscapes.
This synthesizer embodies the bright, lively sound of FM synthesis. Innovative features raise FM based synthesis to new levels.
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