E-MU IIIXP Sound Library EIII XP Emulator

P2P | 23.05.2015 | 264.44 MB

CD ROM is Emulator III compatible, four banks are denotated with by an “X” for use exclusively on EIIIxp units.

Found Sound WAV

AUDIOSTRiKE | 19/05/2015 | 94 MB

Liven up your productions with organic and industrial field recordings hand picked from hours of material gathered from warehouses, scrapyards, tool sheds, construction sites, forests, parks and many more. The sounds range from percussive,to rhythmic and atmospheric/fx,from polished to lo-fi,offering you a very diverse sonic palette.

Future Sound Of Techno MULTiFORMAT

KRock | August 15 2012 | 558.89 MB

WAV/REX2/EXS24/NNXT/KONTAKT

‘The Future Sound of Techno’ has been over 2 years in the making, and takes us on a journey through Techno music, from it’s early house music roots in Detroit, to the darker underground clubs of Berlin right to the minimal and progressive styles that have spread across the world today. Inspired by the likes of Richie Hawtin, Dave Clarke, Trentmoller, Dubfire and Jeff Mills, this sample pack takes a creative twist on the techno of yesteryear, a little helping of current styles and a dose of inspiration from new sounds entering the scene to create a new variation on what we call Techno. All the sounds have been captured from a variety of analogue synths and drum machines, and painstaking care has been taken to ensure every single loop, sample and sampler instrument has been refined to perfection.

Sound Museum TR-808 WAV REX AiFF

AUDIOSTRiKE | 17/05/2015 | 1.38 GB

Many musicians call the Roland TR-808 drumcomputer affectionately the bass queen and this pseudonym is without any doubt a warrantable expression. After its release in 1980 it first became a slow seller and people preferred the more natural and powerful sounding Linn-L1 instead of the rather artificial chinking Roland machine.  After a couple of years however plenty of producers all over sudden started to use grooves of the proud queen in their songs.  Afrika Bambata’s “Planet rock”, A Guy Called Gerald’s “Voodoo ray” or Adonis’ “No way back” with their remarkable rhythm patterns have in the meanwhile written music history.  Not to forget Whitney Houston’s “I wanna dance with somebody” with its purely artifificial sounding cowbell we cannot forget.  But the eight-o-eight was also able to replay ballads like LL Cool J’s legendary “I need love” with its kick drum full of warm decay so that it just makes boooooom…

Record Great Sound At Home For Instructors TUTORiAL

TEAM kEISO | 2015.05.15 | 206.51 MB

How to Record Acoustic Sound at Home Without Studio for Instructors,Remove Noise & Making a Mic filter from Baby Diapers

MS Records That Hau5 Sound MiDi

P2P | 2011 | MiDi | 6.75 MB

‘That Hau5 Sound’ is for you if you’re looking for that instantly recognisable Progressive House sound used by world famous producers such as Deadmau5, Wolfgang Gartner, and Benny Benassi. MS Records presents this complete pack for serious House producers of many sub-genres. Included in this pack you will receive 15 Full chord progressions presented in MIDI format. You can use these straight out of the box in your own productions, royalty-free, and easily manipulate the notes into brand new and fresh progressions. As these melodies are presented in MIDI format, this pack also provides a rich learning environment for both new and experienced House Producers. You will also receive a Sylenth 1 preset, allowing you to instantly start making your own floor-fillers.

UAD Vertigo Sound VSM-3 Explained TUTORiAL

SYNTHiC4TE | April 25 2015 | 318 MB

THE CREATIVE COMPRESSION TOOL

No processor does quite what the Vertigo Sound VSM-2 can do except for the UAD Vertigo Sound VSM-3 plug-in emulation! UAD guru Brock Jon shows you how to get the most out of this powerful and creative Mixing and Mastering Tool in this in-depth series. Brock begins by explaining what the features of the original hardware are, and how Brainworx brought it, along with some additional goodies, to the UAD platform. From there Brock dives into a thorough explanation of the plug-in controls and parameters. Using the song “All Wars Start This Way” by The Hawthorne Effect recorded by Scott Fritz at Stranded on a Planet, Brock shows you how to apply the VSM-3 to Drum Tracks and the Drum Buss, Bass Guitar, Electric Guitar, Synth, Vocals, and the Master Buss. Whether you’re first exploring the VSM-3 or a mixing and mastering pro looking for some new techniques, watch “UAD Vertigo Sound VSM-3” today to get the most out of this unconventional processor!