Ableton Live 10 Part 4 TUTORiAL

iLFSN | 03.05.2018 | 2.7 Hours + Project Files | 1.06 GB

This is Part 4: Synths & Samplers

For years I’ve been teaching Ableton Live in the college classroom. As a University Professor, my classes are sought after, and, frankly, expensive. I believe Ableton Live can be learned by anyone, and cost shouldn’t be a barrier. This class uses the same outline and syllabus I’ve used in my college classes for years, at a fraction of the cost. I will be making 6 (six!) complete classes in order to bring you the most comprehensive manual on Ableton Live production techniques ever created. Each class has Sets, sessions, and experiments for you to try on your own and follow along with.

Old Broken Piano KONTAKT

FANTASTiC | 13 April 2018 | 1.06 GB

For Old Broken Piano we have recorded an old piano manufactured in the 1940s by the brothers Manegold. It has not been maintained and tuned for decades, giving it a unique, dark and nostalgic sound character. The instrument was recorded with a Sennheiser MKH 8040 Stereo Pair connected to a Sound Devices 702T. MKH 8040 are microphones with extended frequency response up to 50.000 Hz, which is great if you want to further process, re-pitch or stretch audio files. Rather unconventional approaches were used to „play“ the piano: Not a single key was touched! It was performed using a violin bow, various mallets and sticks, kitchen utensils, sticky tape and bare hands. The casing of the piano was partly taken apart to get direct access to the strings and the interior components of the instrument. A wide array of interesting sounds have been achieved by bowing, scraping or hitting single and multiple strings or parts of the wood body. For longer resonances, the sustain pedal was pressed down during almost all recordings. Old Broken Piano is a collabration between SampleTraxx and german sound designer Sebastian Emling. This library is the ideal companion for any professional sound designer, trailer or film composer.

Modern Sound Design & Mix Techniques

SYNTHiC4TE | March 23 2018 | 748 MB

Times have surely changed regarding the way we work with and manipulate audio, as new options and techniques are constantly being developed and explored. Studio guru Chris Herrera bings the first volume of videos focused on these methods, looking at cool advanced bus routing and resampling ideas and practices. Chris begins by welcoming you, and then gets right at it with videos on setting up bus channels and delay effects, 3rd party plug-ins, summing channels for processing, and building effect chains. Although Chris is using Logic Pro X for these videos, much of the info will apply to your DAW and its tools. Next you’ll look at some interesting panning and mixing ideas, and then explore what resampling is and how it’s used in today’s productions. See how to take basic drum loops and MIDI parts and bounce them for creative manipulation, including using Flex Time and Groove Quantize.

How To Use ANA 2 Sound Design

SYNTHiC4TE | March 22 2018 | 1.05 GB

Masterclass in getting the most from ANA 2. In these 20 short videos we get a multitude of different sounds showcasing what this powerful synth is capable of.From ethereal pads and classic bass sounds through to cinematic soundscapes and awesome leads, the possibilities are endless Starting from the initial patch in every video, this course is all about sound creation from scratch and after watching, you’ll realise there’s a whole other world to ANA 2 once you’re done playing with all the awesome presets!

Sound Design SFX Advanced

iLFSN | 16.03.2018 | 1.5 Hours | 344 MB

Dance Music TUTORiAL

From epic impacts to white noise sweeps, sound effects are an essential part of any EDM track. Expand your synthesis techniques with these advanced FX sound design tutorials by our dance music expert, Multiplier! Taking your SFX design to the next level requires more in-depth knowledge of the subject. Building upon the principles introduced in the Dance Music Sound Design 106 SFX course, this 22-tutorial course focuses on advanced techniques and concepts.

Sound Design for Motion Graphics TUTORiAL

P2P | June 24 2015 | 700 MB

Editors and motion graphics artists create visually stunning graphics; however, without a compelling sound design, their hard work can fall flat. Luckily, Adobe Audition CC offers a variety of tools to import, sculpt, and finesse your sound design while working with the motion graphics video in the timeline. This course is based on a 30-second graphics project, which is used to demonstrate concepts ranging from sound selection and spotting to sound creation and manipulation. Along the way, author Scott Hirsch provides an in-depth look at Audition’s Multitrack and Waveform Editors, as well as the process of round-tripping a project to Premiere Pro. Plus, he’ll show how to create your own riveting sound effects from scratch and start building a library you can use for future projects.

Odyssey MULTiFORMAT

TEAM MAGNETRiXX | 09 JULY 2012 | 11.43 GB

A Journey In Sound Design…

IAN BODDY is one of the UK’s most celebrated synthesists and sound designers and has been creating award-winning sample libraries since 1992. In this enormous compendium we have collated his last EIGHT sound libraries into one stupendously large library of sublime sound design which we have made available in all the most popular audio formats. This 2 Dual Layer DVD set is packed full of ambiences, soundscapes, drones, loops, single hits and FX and is the perfect tool for any professional movie soundtrack or dance producer looking for some extra creativity and imagination. This amazing value compilation contains over 3600 sound files in EXS24, Kontakt & NN-XT format as well as Acidized Wav files, Apple Loops and Rex2 files all produced and recorded in stunning 24bit by one of the world’s leading synthesists. This is transcendent sound design! In short, you will never go without musical inspiration with this consummately compiled voyage in cutting-edge sound design. All of the samples have been pre-cleared and are 100% original & royalty-free for your musical use without any additional licensing fees.