Mix is the world’s leading magazine for the professional recording and sound production technology industry. Mix covers a wide range of topics including: recording, live sound and production, broadcast production, audio for film and video, and music technology.
In our cover feature this month, Alex Holmes guides you through the science and logic behind why it’s necessary to calibrate your studio and equipment, and the steps you’ll need to take to guarantee perfect, balanced sound at all times. Also this issue, Erin Barra simplifies some vital music production concepts that may have long eluded your understanding – to hopefully increase your sonic vocabulary, and we speak to Kanye West’s former controllerist and cutting-edge musician Laura Escudé about her creative approach and working with some of the biggest names in music. We also find out from IK Multimedia just how their new all-analogue UNO synth came into being in an interview with Erik Norlander, and of course we provide you with our usual wealth of tutorials and reviews of the latest products that could revolutionise your workflow. I hope you enjoy the issue.
Die Crew von iZotope spendiert Beat-Lesern ihre Oberklasse-Mastering-Suite Ozone 8 Elements, mit der Tracks am Limit nur wenige Klicks entfernt sind. Dazu gibt es das VA-Schlachtschiff AAS Ultra Analog Session, den Über-Synth DS Thorn Solo sowie den Allround-Drum-Sequenzer Xils StiX LE. Ergänzt wird die DVD durch reichlich Sound-Futter: Satte 2,3 GB Samples & Sounds gibt es für House, Soul, Retro, Dub und im Zampler-Pack „Energizer“ dreht sich alles um Presets voller Energie und Weite.
Tackling a remix can be a daunting prospect; whatever the original source material you’re working with, whether it’s a lauded classic or a close friend’s latest release, you’re effectively messing with somebody else’s creative work. How faithful should you be to the original idea? How can you put your own stamp on it? How can you take the ideas in a new direction while keeping it recognisable to fans of the original? It’s these questions we’re tackling in this issue’s massive Remix Masterclass. Not only are we bringing you our usual crop of tutorials and video guides, but we’ve also got expert advice and insight from the likes of Joris Voorn, Paul Oakenfold, Photek, Gui Boratto and more. On top of that, we’re even including 4GB of free construction kits to help you to flex your creative skills.
Electronic Musician is not merely a recording magazine but covers all aspects of music production—performance, recording, and technology, from studio to stage. EM finds the top artists and producers – as well as all the musical trendsetters – and gets them to advise, mentor, and detail their craft. Each issue gives you the tools you need to make better music, from production to performance. Plus tips and techniques, gear reviews, and insights from today’s top artists.
Unlock the potential of your softsynths | FREE retro synth plugin | James Wiltshire in-studio video | Morcheeba interview | Analogue synth and drum machine multisamples | and more!
Australian Hi-Fi is the definitive magazine for discerninglisteners and Hi-Fi enthusiasts. Edited by Australia’s most respected audio writer, Greg Borrowman, every issue is packed with equipment and music reviews and new product information.
