Sage Velvet may be the first plugin to fully capture the nuances of Analog Equipment. Full of detail and nonlinearities, Sage Velvet is a near-perfect recreation of the hardware that inspired it.
Opalize [ˈoʊpəˌlaɪz] | To make something shimmer with shifting colours. When applying saturation or distortion to an audio signal, we often do so to add harmonics – to make basslines more audible on small speakers, add punch to drums, or help synths and instruments cut through the mix. In short: We want to sculpt the harmonic content of our sounds precisely – without introducing obvious, unpleasant distortion.
Getting a polished, professional drum sound used to require stacking 5+ plugins and tweaking for hours. Telos – Drums streamlines the process, so you can get radio-ready drums in a fraction of the time. No complex chains, no guesswork, just great-sounding drums in a plugin that feels effortless and inspiring to mix with.
Introduced in 1974, the RE-201 Space Echo is one of the most famous and iconic effect processors ever created. It used analog tape to create its distinctive multi-head delay effect and has been a staple of performers, producers, and mix engineers for the past fifty years. Lovingly crafted by the makers of the original Space Echo, you can now have the genuine character of this ultra-versatile and transformative effect in your DAW.
The JC-120 Jazz Chorus is a legendary solid-state guitar amplifier renowned for its pristine clean tone and signature stereo chorus effect. First introduced in 1975 and still in production, it’s become a staple for musicians across genres ranging from jazz and pop to rock and even metal. Meticulously modeled after the original hardware, the JC-120 Jazz Chorus Software Effect delivers the same ultra-clean tone and evocative chorus, enhanced with modern features like selectable stereo modes, tempo sync, and advanced speaker simulation with detailed mic and room ambience controls.
While de-essers and dynamic EQs can be very useful, they are rarely sufficient for effectively managing sibilance in vocal recordings. Producers and engineers alike commonly find themselves spending long hours manually editing these problematic sounds. While often unavoidable, this method is very time-consuming and diverts attention from what really matters. splitS is here to give you your time back! splitS is not a de-esser, but rather a straightforward mixer that allows you to balance sibilances, and separate a vocal track between sibilance and non-sibilance in a split of a second. The signal is left absolutely intact if no volume change is applied, as the cut between sibilance and non-sibilance is made on the full range signal. No compression, no EQ, no crossover. Since v1.1, the S-Range feature can detect the peak level of each S event, letting you set a maximum volume — or exclude soft events from the S channel.
Give every sound its perfect character with Topos. This VST/AU plugin lets you explore the personality of classic studio gear, seamlessly blend between iconic tonal colors, and design your speaker down to the smallest detail.
