Sforzando v1.822 WiN MAC

TEAM R2R | 2015.05.08 | WiN: 12.95 MB | MAC: 10.28 MB

AU/STANDALONE/VST/VST3/AAX

sforzando is a free, highly SFZ 2.0 compliant sample player. Advanced sample hobbyists now have a powerful tool to experiment and share instruments without relying on proprietary formats. sforzando has only one instrument slot; no fancy UI, effects or mixers. Every tweak has to be done at the SFZ file level, no cheating! sforzando is also a name given for a sudden change in music dynamics which, in musical notation, is represented by the “sfz” symbol. Free As In Free Me From Proprietary Formats The SFZ Format is widely accepted as the open standard to define the behavior of a musical instrument from a bare set of sound recordings. Being a royalty-free format, any developer can create, use and distribute SFZ files and players for either free or commercial purposes. So when looking for flexibility and portability, SFZ is the obvious choice. That’s why it’s the default instrument file format used in the ARIA Engine.

Chipcrusher v1.822 AAX AU VST RTAS WiN MAC

TEAM R2R 2015.05.08 | WiN: 23.47 MB | MAC: 21.36 MB

Chipcrusher is an advanced bitcrusher, a speaker simulator and noise machine. It’s an audio effect which plays back input audio through a simulation of early lofi digital audio codecs (DAC Encoding), adds grit (Background Noise), and outputs through a selection of speaker and filter impulse responses (Post-Processing).

AGP2 v2.0.2 AAX VSTi RTAS WiN

TEAM R2R | 2015.05.07 | 2.25 GB

AGP (Ample Guitar P) is recorded using PRS Artist Custom 24 Guitar, with 5300 samples, 3.76GB, 24 frets, Neck and Neck+Bridge 2 pick-up instrument groups. Every guitar note with real samples — no re-sample. Natural sustain, the longest sample is 28s — no sample loop.

AGF2 v2.0.2 AAX VSTi RTAS WiN

TEAM R2R | 2015.05.07 | 2.58 GB

AGF (Ample Guitar F) is recorded using Fender Stratocaster Custom 50’s Guitar, with 5000 samples, 3.89GB, 22 frets, Neck and Neck+Middle 2 pick-up instrument groups. Every guitar note with real samples — no re-sample. Natural sustain, the longest sample is 28s — no sample loop.

L´Otary v1.0.3 AU AAX VST RTAS MAC OSX

TEAM HEXWARS | 05.05.2015 | 42.6 MB

L´Otary a master quality emulation of legendary rotary speakers!

The PSP L’otary, is our ultra high quality emulation of a rotary speaker. We based our algorithm upon two original and legendary models: the Leslie® 122 and 147, and spent hundreds of hours perfecting our simulations. In other words, this is not just another modulation effect! PSP L’otary is capable of reproducing as precisely as possible the classic sounds of those famous rotary speakers. That said, the L’otary is capable of creative divergences from the original. For example, you could set up both the rotating high frequency horn and the rotating low frequency drum independently from each other and emulate speakers with a static drum or even a broken horn or drum engine.

Cakewalk Rapture v1.2.2 WiN MAC

TEAM DNA/R2R | 2011 | 211.76 MB

DXi VSTi RTAS x32/64

Combining power, elegance, control and unbeatable sounds – Rapture is one of the most exciting synthesizers to hit the market in years. Capable of producing rich, hypnotic and rhythmic basses, leads, and pads Rapture is perfect for performing and designing the modern synthesized sounds igniting today’s pop, dance, and electronic music. Rapture’s non-aliasing resampling engine sets a new standard for sound quality and produces pristine high-resolution sampling and playback. Its advanced modulation capabilities include over 40 Step Generators per patch, providing an intuitive interface for generating rhythmic sequences. The beautifully designed interface and extensive sound manipulation capabilities in Rapture make it the ultimate tool to ignite your tracks.

Sonoris Plugins Pack WiN MAC

TEAM R2R | 27.04.2015 | 73.12 MB

AAX – AU – VST – RTAS

The Sonoris Mastering Compressor (SMCP) is a wideband mastering compressor in VST, AU, AAX and RTAS format for Windows and Mac. It is an ultra clean compressor suitable for delicate material. No odd harmonic distortion that can be found in most compressors is present in the SMCP. To reduce residual artifacts the SMCP features upsampling of the audio up to 8 times. Transparency can be further enhanced by selecting auto-release and feedback detection together with two soft knees. If a more aggressive behavior is needed you can for example choose feedforward detection with a harder knee. It can have some “character” if pushed. If needed, the audio can be warmed up with even harmonics with the flip of a switch.