KORG Collection 5 WiN MAC

Team R2R | 23 August 2024 | WiN: 1.32GB | MAC: 6.01GB

In 2024, KORG is adding three more internationally beloved instruments to the KORG Collection, each of which have left their mark on music history. First, the ARP 2600: a legendary, industry-changing synthesizer introduced in 1971 which had a stunning influence on jazz, rock, pop and funk in the 70s, and was featured in countless Hollywood movies. KORG faithfully recreated and reissued the ARP 2600 in 2020 as the ARP 2600 FS/ARP 2600M, ARP 2600 FS have been carefully modeled and reproduced for the KORG Collection. Second, the VOX Super Continental: This carefully modeled combo organ first appeared in the 1960s featuring extensively in music from the 1960s British Invasion era through to the ska and new wave scenes in 70s and 80s. Lastly the EP-1: The EP-1 models electric pianos that first appeared in the 1960s and have become beloved in the soul, jazz, pop music ever since then. This plugin is based on the MDS (Multi-Dimensional Synthesis) technology developed for Korg’s renowned KRONOS and NAUTILUS synthesizers.

Kompressor v1.2.0 WiN

Team R2R | 18 November 2023 | 3.5 MB

PLATFORM: VST2/VST3/AAX(MOD)

Kompresor is a versatile and powerful, yet easy to use, compressor. With several compression algorithms under the hood, Kompresor is suitable for use on a wide variety of signals, on the mix bus, or for mastering.

KORG M1 v2.4.1 WiN MAC

Team R2R | 24 July 2023 | WiN: 74.5 MB | MAC: 79.6 MB

PLATFORM : WiN-MAC/64 – AU/STANDALONE/VSTi

Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully magesy complete program and combination sounds.  As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real presence, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1. The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony.

Note EQ v2.0.3 WiN

Team R2R | 15 June 2024 | 3.2MB

NoteEQ is an EQ/Limiter pre-tuned to note centers.

More than a decade ago, I made a version of this in WDL (thanks Rob!) to deal with the problem of “one note bass” and dealing with overly loud or overly dead bass notes across the bass fret-board. My mastering engineer ended up using it for far more things, and I have been meaning to update it ever since. In this version, you actually have a limiter per band. In earlier versions, just EQ-ing a hole sometimes caused more problems than it fixed, but now, with the limiter, you can get a hold of the mix when its making trouble and leave it alone when it isn’t! Click “E” (for Enable, were still deciding on the name) in order to enable a band (they are off by default) and “D” in an enabled band to turn on the limiter. Switch octaves with the +/- buttons under the spectrum. Note that the octaves are shown in the spectrum display so you don’t have to do the math.

Pro-Q 2 v2.2.5 WiN

Team R2R | 04 November 2023 | 4.34 MB

FFT has announced availability of FFT Pro-Q 2, a major update to the Pro-Q equalizer plug-in. New features such as Full Screen mode, unique Natural Phase processing, Auto Gain, Spectrum Grab, Gain-Q interaction and slope support for all filter types make Pro-Q 2 better than its predecessor in every way, while staying true to the original vision of combining high sound quality with unsurpassed interface workflow.

Pro-L v1.3.2 WiN

Team R2R | 04 November 2023 | 3.69 MB

FFT Pro-L offers four advanced limiting algorithms, all with their own distinct character. Some are designed to be as transparent as possible, while others may add a nice punch or flavor to your music. Together with the adjustable look-ahead, attack, release and unique separate channel link settings for both transients and release, the limiter can be fine-tuned to achieve both maximum loudness and the highest possible transparency at the same time. With its informative real-time display and meters, the clutter-free interface makes working with FFT Pro-L a breeze. Different meter scales, including the three K-System scales (K-12, K-14 and K-20), will help you to get precise control over your levels. Of course, you can easily disable all metering if you want to judge the sound by ear only.

Redline Reverb 2 WiN

Team R2R | 10 November 2023 | 4.52 MB

Redline Reverb II is a musical reverb that excels in both warmth and transparency at extremely low CPU usage. It is a fully algorithmic and true stereo reverb with possibilities far beyond the conventional. Unlike conventional algorithmic reverbs, Redline Reverb does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything inbetween. Just check out the 112 factory presets for a comprehensive showcase of what it can do. Redline Reverb II has been fully modernized with a new look & feel, a resizable GUI and a new preset management system. A stereo width knob has been added to enable you to widen or narrow the reverb according to your wishes.