Onyx Arranger v2.1 Build 301 WiN

Team R2R | April 29 2016 | 11 MB

Powerful arranger/sequencer based on advanced technologies with full real-time control of MIDI data generation and transformation. Combining best advantages of existing musical software, it gives great flexibility for professionals and real simplicity for amateur musicians. It has all you need to create a professional arrangement or a full song with excellent multi-object visualization of all events, markers and processes in real-time for both Initial and Processed data.

B-Scanner v1.0.0 WiN MAC

Team R2R | April 24 2016 | 15.8 MB

AAX AU VST VST3 RTAS

B-Scanner is an emulation of the analog scanner-based effect available in the most sought-after models of vintage Hammond® tonewheel organs (such as B-3, C-3, A-100 and others). Although the B-Scanner has been meticulously designed to recreate the classic sound of the Hammond® B-3 Vibrato and Chorus, it offers a wide range of options allowing you to maximize the potential of this unique effect.

StompDelay v.1.0.0 WiN MAC

Team R2R/REGGED | March 30 2016 | WiN: 13.5 MB | OSX: 9 MB

Team NeBULA/KGN | March 30 2016 | WiN: 13.1 MB | OSX: 29.17 MB

StompDelay is a creative delay plug-in (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX) designed to provide a wide range of sounds from lush analog tape delays through vibrant loops, from classic ping-pong to scratchy pitch shifts. It features both traditional delay effects and a looper when in “infinite operation mode” (called Infinity mode) that offers continuous tap tempo, as well as accurate tape simulation, including simulating the volume drop that occurs when fast forwarding or cueing the tape.

EMpTy250 Reverb v2.0.9 VST x86 x64 WiN

Team R2R | March 30 2016 | 7 MB

EMpTy 250 reverb PC/MAC VST/AU version, the already famous recreation of the EMT-250 reverb. Introduced in 1976, and still regarded as one of the best-sounding reverb units ever made, the EMT 250 was the first digital reverberator to operate through a purely electronic system. Although only around 250 hardware units were ever built, the EMT 250 continues to leave an immeasurable mark on record-makingThe reverb is known for its very lush and rich sounds on for example vocals and percussive instruments. It supports: 44.1/48/88.2/96 kHz Mono, stereo and 5.1 Surround 32/64 bits PC / VST

EchORek2 v1.0.1 VST x86 x64 WiN

Team R2R | March 30 2016 | 13.7 MB

Analog Delay

ERS EchORek2 Delay is a replica of the Binson Echorec2 delay. The Original delay was build in the the 60-ties and the 70-ties and has got a soundcharacter build around the wow and flutter combined with diskcompression and EQ. It was modelled after the Golden unit form Studio the Church. The EchORek2 is available in 32 and 64 bit format and can handel mono and stereo sources and outputs.

Dim D Chorus v1.1.3 VST x86 x64 WiN

Team R2R | March 30 2016 | 4.8 MB

The replica of the Roland SDD-320 Dimension D chorus with enhanced controls. This package contains a licence for one license-owner and can be used on all computers the license-owner uses. It supports: PC VST host in 32 bits format 44.1/48/88.2/96 kHz samplerates Mono/Stereo Versions in the package: Windows: 32/64 bits VST Mac: 32/64 bits AU, 32/64 bits VST. Our new Dim D Chorus is a replication of the SDD-320 Dimension D chorus build by Roland. This chorus is famous for delivering a subtle, stereoizing enhancing, airy effect while adding more presence to a sound. Most chorus products give a lot of modulation and do not keep the original structure of the sound in tact. This chorus is way more subtle and adds something and does not take away the original quality of the sound.On our review page you can see the extensive reports of people using this new plug-in. After replicating the SDD-320 inside the Eventide H8000 we brought it to the PC VST World. We enhanced it with some additional controls and presets.

Arc 5 v2.03 VST WiN

Team R2R | 2013.08.03 | 6.54 MB

Are you always on the lookout for outstanding sounds? Too much time is spent, sometimes wasted, in creating and searching for that aggressive bass, or a fatter sawtooth lead, or whatever sounds that make a track shine. Here at Archetype we set out to find quick and easy ways to create top-notch sounds based on the characteristics of 5 synthesis algorithms: substractive, supersaw emulation, FM, physical modeling, and hard synced unison voice sawtooth.