Latin Percussion v1.1.0 WiN MAC

TEAM R2R | 10.8.2016 | WiN: 23.63 MB | OSX: 84.4 MB

AU VSTi AAX x86 x64

Latin Percussion is a sample-based plugin emulation of the Sound Master Latin Percussion, a rare analog drum machine from the 80s. The instrument features 6 classic latin sounds: Bass, Low Conga, High Conga, Bongo, Claves, and Maracas, which can be pitched, panned or mixed independently. You can additionally shape the sound with the Overdrive and Reverb. The sequencer lets you easily build patterns that can be dragged and dropped to your DAW/host.

YAMAHA Plugins Pack WiN x86

TEAM R2R | 12.03.2013 | 35.5 MB

Pre-X7 v1.1.2 WiN MAC

Team R2R | 03 Jun 2019 | WiN: 32.2 MB | OSX: 30.5 MB

Analog Modeled Vintage Tube Preamplifier Plugin.

VST2, VST3, AU, AAX, x86, x64

Pre X7 is an analog modelled preamplifier based on an iconic vintage tube unit primarily designed for bass guitar and that we modified to make it working with several audio sources.
Both input and output 12AX7 tube models are calculated in real-time, bringing you all the subtle non-linearities that will make each instance of this plugin unique without phase issues. An high-pass filter followed by a Tone control lets you shape the input signal before the output tubes. Furthermore, we included a brickwall clipping limiter to help you retain the distortion on extreme settings.

Pedalboard Distortions v1.0.1 WiN MAC

Team R2R | 03 Jun 2019 | WiN: 18.8 MB | OSX: 17.7 MB

AU VST AAX x86 x64

Analog Modeled Vintage Distortion Plugin. This bundle includes ALL of our analog modeled distortion pedal plugins.

Efektor Distortion Bundle v1.0.6 WiN MAC

Team R2R | 03 Jun 2019 | WiN: 192.8 MB | OSX: 53.0 MB

Distortion, Fuzz and Overdrive Bundle

VST/VST3/AU/AAX

Researched from more than thirty kind of most sought-after dirt effect pedals. We picked the exceptional ones and narrow them down into three devices which covered in this bundle: DS3603 Distortion, FZ3603 Fuzz, and OD3603 Overdrive. Originally modeled after 30 kind of most sought-after distortion, overdrive, and fuzz FX pedals. We picked the best of them, then narrow down all of them into these devices: DS3603, FZ3603, and OD3603. All the varying parameters are streamlined into a uniform 3 knob parameters plus 1 dry-wet knob, to cover every tone which are essentials for any guitarists (even synth-players). This first series of EFEKTOR will feature three designed and modeled after legendary distortion, fuzz, and overdrive effect pedals which shapes the diverse sound of Rock music across different genre and era: DS3603 Distortion, FZ3603 Fuzz, and OD3603 Overdrive. Each will pack 5 different effect models to cover various tonal characteristics sought-after by guitarists.

Tube Modulator v1.1.0 WiN MAC

Team R2R | 03 Jun 2019 | WiN: 12.2 MB | OSX: 10.7 MB

(x86 x64, AAX*, AU, VST)

Tube Modulator is a collection of several tremolo, vibrato and spatial position effect circuits ranging from the late ‘50s tube bias tremolo to the late ‘60s psychedelic vibe pedals. Tube Modulator spatial effects includes a panner, a rotary speaker and a wide stereo “wow & flutter” simulators. A wide XY scope will show you the current amplitude and spatial position modulation to get instant feedback of your settings. Tube Modulator is Colored by Design, adding a great amount of warmth and color to your signal.

Echorus v1.0.4 WiN MAC

Team R2R | June 03 2019 | WiN: 4.3 MB | OSX: 3.3 MB

PLATFORM : WiN32/64 – VST/AAX(MODiFiED) | MacOSX – AU/VST

Echorus features 4 original chorus algorithms, an Echo section, and a couple of analog-modeled high-pass and low-pass filters. The 4 chorus modes (retro, multi, detune, random) provide a wide range of chorusing effects. They make Echorus versatile and suitable for any type of sound sources, and whether you want a subtle, thick, dark, cheesy, or more experimental chorus sound, Echorus has got you covered. Echorus also has an echo section including delay time and feedback gain controls. This allows you to re-inject the output signal within the chorus, expanding further more the possibilities. You can use this feedback loop with some short delay times to strengthen the chorus effect, get some flanging tones or create pitched resonances. Longer delay lines bring more classical delay effects, but with the particularity that your sound will pass through the chorus processor at each echo. Set up a sensible echo delay time and increase the feedback gain… and you will end up with big washy ambiences. Adjust it to more moderate settings, and you have the perfect tool for enhancing and enriching pads, keys and guitars.