TonedPLUS is a specialized tone shaping plugin with selectable analog modeling. Expanding on the concept of the free plugin Toned, TonedPLUS is designed primarily for use in the mastering process or on two-track audio busses. TonedPLUS uses two distinct equalization processes: a three-band tone-shaping matrix, and a specially designed high pass (HP) filter.
NYRV AGENT is NYRV Systems first product offering and is designed to become the central element of your effects processes. AGENT is fundamentally a configurable virtual control surface for effects. With AGENT you gain control of your entire effects chain in a single interface. AGENT has a Channel Strip page and an Effects Rack page. They are essentially identical but we designed them to work together the way a rack of outboard effects would interact with a large format console channel strip.
The 1970s rock scene was one of diversity and constant reinvention. On one end of the scale, bands like Led Zeppelin and The Who not only paved way for a new breed of loud, beat-driven rock – but also revitalized the drum hero of the jazz age and introduced a never-before-heard sonic ideal of big, massively saturated drums. On the opposite end, acts like the Eagles and Fleetwood Mac took on a noticeably more polished production suit. Still, both sounds were very much products attributed to the advances of recording technology. The Seventies Rock EZX sets out to capture that scope – from the farthest end of epic, earth-shattering and reverberant down to classic, dampened and low-key.
Modern sound design and mixing contemporary music often revolves around using vintage sound ideals and elements – tube sizzle, grit, distortion, vinyl noise. It’s an uprising against the digital revolution and an attempt to sand the surface off of what sometimes can come out too polished. This is where this collection of settings for EZmix 2 comes in – but with a twist. It goes beyond the obvious tape saturation settings, the compressors or the tube amps and rather focuses on the details – creative ingredients that can elevate your mix and lend you completely new ideas and landscapes of sound. Maybe a broken phone line setting on a vocal part, some vinyl noise on your intro or a bit crushed bass to spice things up?
Having shaped the sound of acts like Whitechapel, DevilDriver, Trivium and Coal Chamber, Mark Lewis has risen to become one of the top names in modern metal production. One of his signature traits, always a given in any production bearing the Lewis sonic seal, is the wall of guitars – deafening, yet defined, balanced and distinguishable. In this collection of settings for EZmix 2, he revisited some of his classic productions to detract the essence of what made the guitars live and breathe. In addition, he created all-new tones from scratch. Expect anything from subtle finesse to raw, unadulterated power – tones capturing the entire range of the extremes.
Tobin Esperance (Papa Roach), Evan Brewer (Entheos), Josh Paul (ex-Suicidal Tendencies) and Ryan Martinie (Mudvayne). Four top players from completely different ends of the scene deliver a collection of bass tones showcasing an incredible width. From tube-sizzling heavy rock tones and loud, distorted hi-gain metal settings to the complexly textured, mellow and organic. The Metal Bass Beasts EZmix Pack pinpoints the essence of rock and metal bass today and gives you a vast library of unique one-click settings, tailored for songs where the bass is all but just a frequency.
The fourth title in the Metal Guitar Gods series presents 50 unique amp and cab settings modeled directly after the personal tones of four top metal players: Gus G (Ozzy Osbourne, Firewind), Jake Pitts (Black Veil Brides), Wes Hauch (Black Crown Initiate) and Michael Keene (The Faceless). Capturing their individual styles and preferences, this EZmix Pack presents a truly captivating and diverse collection of settings for metal guitar. Pummeling rhythm tones, soaring lead sounds, effect-saturated clean and ambient settings – the whole gamut from classic to extreme.
