Piano engine (QIN ENGINE) V3 kernel has been updated to version V3.04, and the related sound libraries involved in this update have been upgraded simultaneously.
Collective is a powerful sampler and synthesizer capable of generating a wide variety of instrument sounds. Developed to accompany the new music composition tools, Collective allows you to immediately start creating diverse musical styles. Quickly select from over 600 presets and deep dive to surgically craft your unique sound. Pull from the included sample library or load your own, combine with synthesis or cherish the supreme quality of traditional samples. One instrument to rule them all.
OP-X PRO-3 is a 12-voice semi-modular virtual analog synth based on OP-X PRO-II which includes all sounds and features of OP-X PRO-II and fullfills virtually all requests and wishes from users collected over the recent years. Due to its massive features and flexibility OP-X PRO-3 is able to emulate the typical sounds of almost ANY analog synth of the late 70s and 80s including OB-X, Matrix-12, Jupiter-8, Prophet-5 and even Minimoog. The same as its precedessors did since 2006 the synth engine of OP-X PRO-3 exactly clones the inner working of real voltage controlled polyphonic analog synths of the late 70s and 80s in every tiny detail. This includes that each voice is a completely independend mono-synth sitting on a separate circuit board or in a separate circuit section on a common board and features tuning trimpots to wipe-out the differences caused by device tolerances which usually was done by a technician prior to shipping. For the user the synths usually offered an autotune function which sent an offset voltage to the voice boards to flatten differences which again could arise caused by warm-up drift and thermal shifting of the trimpots and devices. Early synths only offered this for oscillater pitch, but later synths like Matrix-12 also for filters and other parameters. This is offered too in OP-X PRO-3 and the same as in the originals you usually manage the tuning only uning the atotune unit and not by tweaking trimpots everytime which would be cubersome, but with the advantage that you can go forth and back (so tune and detune again) and even can tune or detune seamlessly, so seamlessly blend between the tuned and detuned state.
Stringer contains sample sets of the ARP Omni II, the Logan String Melody II and the Welson Symphony in two engines that can be mixed and layered: The sonic result of a sample based instrument is highly dependent on the way the samples have been converted, recorded, cut and looped. You’ll never gain back what you lose e.g. using a bad clock. For the Stringer, every key of the original instruments was sampled using top notch Apogee converters. The samples were recorded at full 24-bit/44.1kHz depth to capture every detail. A lot of time went in the perfect restoration and looping of the 241 samples – the loop lengths are up to four seconds and preserve the original beats. The sonic result is outstanding and nearly indistinguishable from the original. The real string machines that were sampled for this project are highly sought after and are rare and expensive on the used market.
The Stringer contains top notch quality sample sets of the ARP Omni, the Logan String Melody II and the Welson Symphony in two engines that can be mixed and layered. The real devices | The real string machines that were sampled for this project are highly sought after and became rare and expensive on the used market. The Logan String Melody II was built 1978 in Italy and distributed in Germany by Hohner. It has a very middy fat and exciting sound. The ARP Omni II is the successor of the Omni I and the Solina. The Solina string sound was THE string sound of the seventies and eighties, used on every stage and record. The Welson Symphony is a very rare Italian made String machine. It was built by WEBO electronics. more info
Omnisphere® is the flagship synthesizer – an instrument of extraordinary power and versatility. Top artists all over the world rely on Omnisphere as an essential source of sonic inspiration. This award-winning software brings many different types of synthesis together into one amazing-sounding instrument that will spark a lifetime of exploration.
BassKnob: STD gives you the best bass sound you’ve ever heard with the turn of a knob. Add full-bodied bass to your next recording, capture a quick idea in pristine quality, or just enjoy a beautiful tone for your next practice session. Simple, dynamic, responsive, articulate. It’s absolutely everything a bad-ass bass plugin should be.
