This classes uses the same system I’ve used for years in my college courses for teaching sound design: Identify and master the 4 main pieces of any synthesizer, and you will be flying when you first approach any other unit in the future. This system keeps the technical jargon to a minimum and gets you making your own sounds quick.
Fully integrated elastic audio was introduced in Pro Tools version 7.4 and gave editors the time-saving advantage of being able to change an audio file’s tempo or timing in real time without the need to render the audio. In Pro Tools 8: Time Manipulation with Elastic Audio, author Brian White shows how to adjust tempo, change pitch, and quantize audio tracks with elastic audio. This course covers auto-conforming audio loops and regions to a session’s tempo, enabling elastic audio on tracks, and using the five elastic audio plug-ins to extract as much fidelity as possible from the source material.
Antares Auto-Tune Evo is a third-party plug-in processor that automates the correction of pitch and intonation, saving hours of time in the vocal booth. In Pro Tools 8: Pitch Correction with Antares Auto-Tune Evo, author Brian White explains the fundamentals of working with vocal tracks and how to correct common pitch and intonation errors using Auto-Tune. This course covers a variety of workflows and different pitch correction strategies in Auto-Tune, working in both automatic and graphical tuning modes.
Join author Brian White in Pro Tools 8: Editing Drums Using Beat Detective and SoundReplacer as he demonstrates how to fix the timing and sweeten the tone of live drum recordings using Pro Tools 8. This course covers many of the operational modes and common workflows in Beat Detective, including tempo mapping and quantizing multi-track drums, and a variety of drum sweetening techniques like sample triggering with SoundReplacer and virtual instruments. Exercise files are included with the course.
Pro Tools 10 software is the latest version of Avid’s flagship music creation and audio production software, and delivers many great new features. Speed up editing and mixing workflows with Clip Gain.
Transferring audio from Final Cut Pro X to Pro Tools and back can be a tricky endeavor when Final Cut Pro doesn’t support OMF transfers. But X2 Pro Audio Convert is a program that can make this exchange quick and easy. In this course, Scott Hirsch demonstrates how to transfer audio utilizing X2Pro Audioùan invaluable workflow designed to help optimize and finish the audio of your Final Cut Pro video project. He imports the audio into Pro Tools and then demonstrates how to make a Pro Tools template for future transfer projects. The course also includes some key EQ and noise-reduction techniques that can take your audio for video projects to the next level. The final chapters show how to mix down the audio and export it back to Final Cut Pro X.
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