MPReq v3.0 WiN MAC

Team DECiBEL | 13 Jan 2020 | 24.7 MB

…::: AU, VST, VST3, x86, x64 :::…

Something from 50’s!

Colorful microphone preamp with two band fixed frequency program equalizer.

Omega Transformer A & N v1.0.4 WiN

Team AudioUTOPiA | Oct 29 2016 | 73 MB

..:: AAX*, VST2, VST3, x86, x64 ::..

If I’ve got tracks that need more vibe, more color, and less of the fast, sharp transients digital is famous for, Omega Transformer plugins are my weapon of choice. Transformer plugins are extremely cool on their own, giving my VI’s, loops, and found sounds the character of carefully chosen, boutique analog circuits. When a Transformer is used on tracks recorded with the Omega Preamp, the effect is quite stunning: a dead-on replication of the original hardware’s sonic signature. This is not “sounds kinda like…” this is “sounds exactly like”. Transformer plugins are very simple to use — just turn the Intensity knob and a lovely, distinct flavor unfolds. The resulting Transformed tracks mix easier, sound sweeter, give EQ’s more mojo to extract, and feed compressors a rounder, punchier transient to play with. The result is, to my ears, a truly magical Transformation.

Kaya v1.0.4 VST2 WiN

Team AudioUTOPiA | March 13 2016 | 42 MB

..:: AAX*, VST2, x86, x64 ::..

There’s only one Kaya… literally. S. Husky Hoskulds made it by taking an old Ampex tube tape deck and hardwiring the preamp directly to the tape head. He calls his unit ‘Pa’, a minimal box with swampy distortion and a very heavy bottom. I started with Pa’s dirt, then added controls to make it more flexible. An assymetric Treble control can rebalance the sound towards the top, or tilt it down into murky darkness. An Abuse knob does exactly what you’d expect it to do. Blend allows you to tuck in the overall effect for subtler applications. What I love about Kaya is it never harshes out, it’s always warm even when it’s gone nuclear. A one-trick pony, but what a trick it is.

Using the Axe-Fx TUTORiAL

FANTASTiC | 04 March 2020 | 2.65 GB

The Fractal Audio Axe Fx gives guitar players an incredible range of capabilities, but the sheer number of options can be overwhelming. In the this course Cooper Carter will share his road-tested tips for getting the most out of the Axe Fx preamp/effects processor. Cooper has experience using the Axe Fx on tour and in the studio. In this course he will show you the tricks he has mastered while working with the Axe Fx in countless sessions and on stages across the country. The Axe Fx gives you access to hundreds of different tones through its inventory of vintage and modern guitar amps, speaker cabinets, guitar stompbox and studio effects. Cooper will simplify those options and give you a roadmap for working efficiently. You will learn how to create and tweak amp profiles and go deep on working with cab simulations and how to use effects. This course will unlock the advantages of the Axe Fx and open you up to a whole new range of exciting possibilities.

1973-Pre v1.1.0.388 MAC

CASHMERE | 19 November 2019 | 323 MB

AAX, AU, VST, VST3, 32Bit, 64Bit

British iconic sound of the 70’s

The subtle nuance and tonal flavor added by a vintage preamp can have an amazing overall effect on the music you create. For years, top producers have coveted the sound of the venerable 1073 preamp. Now – through the power of Arturia’s advanced TAE modelling – you too can have a taste of that harmonically rich, classic tone in your DAW. Devised by visionary electronics engineer and pro audio legend Rupert Neve, the preamp became a staple of the world’s top studios, and added its unique tonal flavor to countless hits. It was a revolution in 1970, pioneering the use of reliable high-efficiency transistors to replace the temperamental vacuum tube technology of the time. The sound of the preamp became an instant hit with record producers, sound engineers, and artists the world over, cementing its place in music history.

V76-Pre v1.1.0.388 MAC

CASHMERE | 19 November 2019 | 242 MB

AAX, AU, VST, VST3, 32Bit, 64Bit

Finest vintage tube preamp

From its broadcast origins to its use on some of the best-selling, most enduring records of all time, the V76 preamp has played a pivotal supporting role in the story of pop music. Loved by the engineers and technicians at Abbey Road, and incorporated into their iconic REDD mixing consoles, the V76 coveted for that “White Album” sound, every major studio in the world wanted a piece of the action, and tens of thousands of Telefunken preamps were created to meet the demand. These days, due to scarcity and cost, it’s practically impossible for most musicians and producers to pick up one of these legendary preamps. In the same way Arturia built its reputation on recreating legendary, rare synths and keyboards through advanced modelling, we decided to use our TAE® technology to give everyone the chance to experience that legendary V76 sound.

Code Red v1.0 WiN MAC

Team R2R | Dec 24 2016 | WiN: 7.6 MB | OSX: 6.55 MB

AU/VST2/VST3 32/64 bit

Code Red is inspired by two versions of the classic, all tube, British console form the 1960s most closely associated with the sound of The Beatles. The original, “Pop” and “Classic”, EQs had fixed characteristic frequencies and Qs so we thought it would be nice to make the EQ fully adjustable. While we were at it we added two more mid bands and a high pass filter. Fear not, the original EQs are still available, as presets. Two preamp models, based on the full circuit simulation, accurately emulate preamps used in two versions of the original console this plug-in is based on.