Poly-Ana v1.4.0 WiN

Team R2R | 14 October 2024 | 38 MB

Analog Model Polyphonic Synthesizer

Poly-Ana is finally here! Get ready for a new experience in virtual analog synthesis! Poly-Ana uses a different approach than most other VA soft-synths which we feel delivers a sound more authentic to the early analog synths that inspired her features. This “brute-force” method admittedly requires more processing power than other common techniques, but is a far truer model of the functioning of real analog instruments. If you obsess over the quality of your sound like we do then you won’t mind using a bit more CPU power to help get you closer to that real analog sound; a sound that so many other VA synths fall too-far short of.

Spire v1.5.19 WiN

Team R2R | 24 September 2025 | 95.2MB

Spire is a software polyphonic synthesizer that combines powerful sound engine modulation and flexible architecture, a graphical interface provides unparalleled usability. Spire is the embodiment of the best opportunities, both software and hardware synthesizers.

MHC Voxynth v2.0 WiN

Team BEAT | 25 February 2004 | 4.18 MB

Voxynth is a synth (VST or AU), which can be used to create vocal sounds or synthetic choirs. Unlike many other plugins, this synth contains 20 different formant filters (38 in version 2.0), which give the synth an organic an unusual sound. In addition, the MIDI synth has a stereo delay and comes with 64 factory patches (256 in version 2.0) and a manual (Adobe Acrobat). The plugin has been tested with Cubase SX 1.02, Cubase VST 3.7 and 5.0, Muzys 2.11, Emagic Logic Platinum 6.1, Rax, SynthTest, Orion Pro 3.03, Logic 5, Acid Pro 4.0, Magix Music Studio 7, Audio Mulch 0.9 and SONAR 2.0 using the ToneWise DirectiXer and FXpansion VST-DX adapters. It should work with all VST and AU compatible hosts as long as they follow the VST and AU specifications.

PS-3300 v1.0.4.54 MAC

MORiA | 23 April 2026 | 198 MB

PLATFORM: AU/VST3i/STANDALONE

PS-3300 is an exactingly faithful virtual analog emulation of the colossal and ultra-rare semi-modular analog polyphonic synthesizer released by KORG in 1977. Cherry Audio has pulled out all the stops to accurately recreate and update this mythical monster synth, from its massive stacked sonic character and signature multiple‑resonator sweeps to the considerable patching capabilities that distinguished the PS-3300 from all other polysynths of the era.

StepicVST & Stepic4Live WiN

MOCHA | 21 January 2026 | 31.84MB

Stepic isn’t just a powerful and versatile polyphonic step sequencer. 8 additional and fully integrated modulation sequencers make it a true sound shaping tool. Use them to automate any parameter (e.g. Filter Cutoff, Wavetable Position, Effect Amount) of your favorite synthesizers or effect devices. With its support for MIDI CC, Stepic offers you parameter control for both software plug-ins and hardware devices. By assigning different tempos and sequence lengths to the modulation sequencers, Stepic lets you create deep, polyrhythmic parameter progressions that add a lot of motion and uniqueness to your sound. And if that’s not enough, bring the 200+ random generators into play ;-)

Sugar & Spice Hive 2

P2P | 18 October 2025 | 1.7MB

Sugar & Spice comprises 260+ sounds inspired by the stage keyboards and polyphonic synthesizers of the 80s and 90s. Although the presets focus on playability, more radical morphing is immediately available via Hive’s XY Pads (there are over 100 examples of this in the extra XY Showcase folders). Experienced keyboard players will appreciate the nuanced velocity and aftertouch response.

Mercury-8 v1.0.9.93 WiN

Team R2R | 10 December 2025 | 103 MB

PLATFORM: STANDALONE/VSTi/VST3/AAX(MODiFiED)

Mercury-8 synthesizer builds on renowned Mercury legacy with a passionate focus on detail and modern technical advancements. Every aspect of the original hardware has been meticulously modeled to capture the authentic sound and behavior that made the JP-8 so legendary. Furthermore, Mercury-8 goes “beyond Jupiter” by offering expanded polyphony, versatile modulation options, studio-quality effects, expressive performance capabilities, and even data exchange with the original hardware. These features not only surpass what was possible in 1981 but also exceed anything seen in software to date.