SMROM for Kontakt 5, Windows VSTi/Mac AU Rompler Plugin is a collection of 46 x Instruments featuring the sound of the Sega Master System sound chip, the SN76489 PSG. Each sound has been carefully multi sampled to sound has good has possible.
SHN-1 delivers sounds from a warm analogue to a rich digital ambience. 32 different types of wave tables feed two multimode filters, two distortion and two effect units. 1024 possible waveforms (32×32) give the ability to create warm pads, unique lead sounds, amazing chord stacks, deep techno basses, electric basses, dance basses, unique synthetic drums, thrilling special fx, e-pianos, clavinets, organs and previously unknown soundscapes.
4 Very good VST 32 Bit Drum Modules. GUI works by Acquit Music. (c)2005.
What’s EVE? EVE stands for Electronic Vintage Ensemble, which suggests the design philosophy behind the instrument. EVE was made to recreate in the virtual world of softsynths the exciting and immediate experience of the early age of electronics in pop, rock and jazz music from the 1960’s and 1970’s. During this creative period in music history, many musicians started to employ the innovative sounds of the ‘electric keyboards’ which were newly available for use on stage and in the studio: Rhodes electric pianos, Hammond and Vox organs, Hohner clavinets, strings machines such as the Arp Solina string ensemble, Moog synthesizers, and all those that are now considered ‘classics’. It was not only keyboards that were a part of this revolution in popular music: the use of effects and recording techniques for layering, blending and manipulating sounds transformed the way music was produced and conceptualized. Tape based delay lines, rotating speaker cabinets, guitar distortion pedals, wah wah, phasing, flanging and other effects became an integral part of the process of sound design.
Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully magesy complete program and combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real presence, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1. The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony.
The Mono/Poly is Korg’s four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities, these two magesy instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg’s best synthesizer yet, with a number of unique characteristics. It provided four VCOs, each providing adjustable pitch, waveform, octave, and level, which could be stacked together for massive sounds, or cycled through one at a time for constantly shifting timbres. Together with one VCF, one VCA, two EGs, and two MGs it provided a powerful yet accessible programming structure.
Originally part of the first Korg Legacy Collection and later the Korg Legacy Collection: Analog Edition 2007; the MS-20 is now available individually. As the original manufacturer, Korg is uniquely qualified to recreate our vintage analog synthesizers as software instruments. Magesy Korg’s proprietary Component Modeling Technology (CMT) recreates the original circuit path and analog signal flow, to provide results that are completely faithful to the original hardware. The MS-20 is designed to run as a stand-alone program; or as a VST, AU or RTAS Plug-in, making it compatible with nearly any DAW software studio package. The MS-20 software synthesizer provides a complete simulation of its legendary original. In addition, it gives you modern advantages such as up to 32 voices of polyphony and up to 16-voice unison (with detune/spread function). Flexible external modulation settings and MIDI clock synchronization have also been added, giving you even greater creative potential.
