XiLS 3 v2.0.3 CE AAX RTAS VSTi x86 x64 WiN

Team V.R | May 26 2016 | 16.7 MB

Manipulate analog signals in ways which were impossible before

The XILS 3 V2.0 not only emulates the Synthi ( VCS 3 ) modular synthesizer, it also adds an emulation of the 256 Analog Sequencer, the natural companion of the VCS 3. Is that all ? No, of course, we added a SECOND Matrix, with 2 additional envelopes, one LFO, a detailed Sample and Hold module, and a Voltage processor … And some input modules : Gate, Transient, Envelope Follower and Pitch Tracker to transform the XILS 3 into an advanced Effect Processor ! This means hundreds of additional connections. Add to the pile the analog chorus with its three modes, the analog delay and the phaser … the picture emerges. In the XILS 3, you can connect everything with everything, and you get more than 800 possible different connections per patch ( ‘Only’ 583 simultaneous connections possible ).

Spire v1.1.5 VSTi WiN

Team R2R | 20 May 2016 | 96.5 MB

Spire is a software polyphonic synthesizer that combines powerful sound engine modulation and flexible architecture, a graphical interface provides unparalleled usability. Spire is the embodiment of the best opportunities, both software and hardware synthesizers

Spire v1.1.4 AU VST VSTi WiN MAC

WiN: Team R2R | May 18 2016 | 97 MB

MAC: Team Offset | 18 May 2016 | 114 MB

Spire is a software polyphonic synthesizer that combines powerful sound engine modulation and flexible architecture, a graphical interface provides unparalleled usability. Spire is the embodiment of the best opportunities, both software and hardware synthesizers

E-Lab Foundation v1.5 VSTi RTAS AU

TEAM DELiRiUM | WORKiNG | Date: 07-21-2005 | 3.80 GB

TEAM BEAT | VSTi | RTAS | 3.80 GB

3.7 GB of Funky Cracklin’ HipHop Breaks

Based on e-LABs unique i.v.i. engine, FOUNDATION continues to define new standards for loopbased Virtual Instruments, giving you total tempo independance, realtime playback control, and creative freedom with separated drum loop parts (Kick, Snare & Hihat, etc all on separate tracks), effectively removing all limitations of handling Breakbeats and loops.

Harpsichord KONTAKT WiN AU

DiSCOVER | May 08 2016 | 644 MB

Kontakt: 128 MB • WiN VSTi x86 x64: 25 5MB • MacOSX/AU: 260 MB

Harpsichords are a form of keyboard instrument with a history as far back as the Renaissance, predating the modern piano by several hundred years. The only problem with the design of the harpsichord was that it lacks the ability to create dynamics naturally. Instead, different stops must be used to achieve different timbres and volumes, like on organs. This particular harpsichord is a hand-built modern replica based on designs from the Baroque period and features two different stops.

Glockenspiel KONTAKT VSTi AU

DiSCOVER | May 08 2016 | 358 MB

Kontakt: 185 MB • WiN VSTi x86 x64: 111 MB • MacOSX/AU: 60 MB

The ear-ringing (not bell-ringing) descendant of the carillon is the not-very-intimidating-looking Glockenspiel. However, one must beware its ability to surpass even the piccolo in pain due to high notes. Our glock is slightly more on the mellow side, but, recorded up close, provides a great rich fill of the harmonics, not to mention a lovely quiet end for those cute songs about winter and snow fall when a celeste just won’t do. Unlike most sampled glocks, you get to hear the full natural impact of the mallet and get a full range of dynamics. If you don’t like the impact, just add a high-pass filter, we won’t mind.

Dan Tranh KONTAKT VSTi AU

DiSCOVER | May 08 2016 | 821 MB

Kontakt: 170 MB • WiN VSTi x86 x64: 430 MB• MacOXS/AU: 221 MB

The Dan Tranh is a traditional zither originating from Vietnam. It is considerably longer than its European and American cousins, and is also Tuned as a Pentatonic Instrument. 16-17 metal strings run the length of the instrument with bridges halfway for each string. In traditional performance on this instrument, one hand plucks the strings on one side of these bridges using plectrums (finger-picks) and the other hand bends the pitches of the notes as desired on the other side of the bridges. This allows an incredibly dynamic and unique performance which is very hard to sample and replicate.