Material Comp v1.0.5e MAC

Team FLARE | 07 July 2021 | 155 MB

..:: AU, AAX, VST2, VST3, 64Bit ::..

Added MORiA VERSiON

A cutting-edge compressor that is equipped with ”DFP(Division of Force Processing)” a technology that VQ spent 3 years developing to thoroughly reproduce the nuances of an analog circuit. Mastering grade signal processing technology can be achieved with an extremely low CPU load. The internal processing is fully 64 bit and produces sounds with unbelievable transparency.

DMS Plugins Bundle WiN MAC

Team FLARE/R2R | 26 October 2021 | MAC: 713 MB | WiN: 713 MB

..:: AAX/AU/VST/VST3/x64 ::..

Goliath 2 v1.5.0 WiN MAC

Team R2R | 2021.10.24 | WiN: 16.7MB | OSX: 56.8MB

PLATFORMS: WiN32/64 – VST/AAX | MacOSX – AU/VST/AAX

Goliath V2 features 4 Analog Modelled Processing chains featuring ALLOY (Nickel, Iron, Steel based Transformers), TUBE, TAPE & VINYL with a drive control plus a FET based envelope and a 3 band EQ. This is a truly revolutionary and “analog” sounding tool. Be prepared to be pleasantly surprised! What’s new ? Goliath, our top-selling plugin is back in a brand new avatar with a completely new sound engine and new features. This plugin now has 4 types of Saturation models – Alloy, Tube, Tape & Vinyl with Drive. We now use our Advanced DSP models featuring our own proprietary “Multi Convolution” & Component Modelling Technique to simulate “Real” hardware chains of analog gear. Additionally, the plugin now features a full FET compressor in its envelope section and a 3 band EQ plus a Low Cut Filter.

CR Plugins Bundle WiN MAC

TEAM R2R | 24 October 2021 | 7.05 GB

..:: AU, VST, VSTi, VST3, x64::..

OptoRED v1.1.0 WiN MAC

Team R2R | 2021.10.24 | WiN:7.9 MB | MAC:27.7 MB

PLATFORMS: WiN64 – VST3 | MacOSX – AU/VST3

OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.

Molot GE v1.0.4 WiN MAC

P2P | 22 October 2021 | MAC: 21.3 MB | WiN: 8.53 MB

..:: VST2, VST3, AAX, AU ::..

Russian for “Hammer”, Molot is the name of a popular dynamic compressor originally released in 2011 by Vladislav Goncharov. With a modernized concept, extended flexibility, and a generous dose of Rock ’n Roll, Molot GE proudly takes over the job of its predecessor. Molot GE is a particularly characterful dynamic range compressor melding several classic compression mechanisms with sophisticated saturation, creative tone control, and a snappy peak limiter. Whether it be mellow leveling, tight dynamic control, or aggressively vibrant compression, Molot GE covers a remarkable wide range of compression colors. While Molot GE doesn’t emulate any “vintage” device, its sound and behavior was definitely inspired by their most interesting musical peculiarities. This flexibility makes it suited for almost any source, be it drums asking for more crisp and impact, solidification and enrichment of vocals, or the enhancement of guitar and bass recordings of all types.

SEQ-S Bundle v1.3.0.7 WiN MAC

Team R2R | 18 Oct 2021 | WiN: 5.2MB | OSX: 11.3MB

SEQ-S Linear Phase EQ is a plug-in that provides sonic sculpting and EQ matching up to 7.1, with stereo mid-side operation and automated spectrum analysis. The software allows for manipulating and correcting any audio with higher resolution than can be achieved with a traditional parametric EQ interface. A direct-draw interface and detailed spectrum analysis make it easy to quickly identify and specifically fine-tune audio. Additionally EQ matching via sonic fingerprinting provides some unique possibilities. The plug-in can be used to match one recording to another by capturing the “flavor” of the source audio and then transferring it to the current work. This is especially useful for restoration and harmonization work. Or same technique can be applied to individual tracks to unify different takes, microphone positions, and more.