Equalizer v1.xx WiN MAC

Teams ArCADE / AiR | Date: 11/2010 | WiN+ MAC: 9.54 MB

The classic EQ, now as a VST and an AU… This equalizer comes packed with features, and more importantly, it sounds AWESOME. High cut and Low cut filters, High and Low Shelf filters, up to 6 bands of Bell filters (all with completely sweep-able filter points and adjustable Q sizes). 2 world class EQ algorithms to choose from (good luck!). 30 band spectrum analyzer ‘on board’, along with an intuitive ‘dual surface’ graphical interface…

Need 31102 Console EQ v1.7.9 WiN MAC

Team R2R | 06 Dec 2021 | WiN: 33.1MB | OSX: 154.7MB

PLATFORMS: WiN32/64/MAC – AU/VST/VST3/AAX

The iconic 31102 preamp/eq (featured in the Neve 8068 consoles) has been used to mix many hit records for years. Guns N’ Roses, Bruce Springsteen, AC/DC, Red Hot Chili Peppers, Nirvana, Metallica… etc. We’re proud to present the true analog emulation for one of the best-sounding class A mic pre/EQ modules ever produced. Need 31102 Console Eq, with same character and enhanced with a great modern workflow! The Need 31102 is holding each small detail and true vintage tone of the original unit. Iconic console tone has been reborn!

MixControl Pro v1.5rx WiN MAC

TEAM ASSiGN | 29.10.2011 | WiN+MAC: 70 MB

.:AU, VST, VST3, x86, x64, RTAS:.

MixControl is a flexible channel-strip package consisting of two high quality mixing plug-ins: MixControl Large is intended as an all-in-one solution for more complex mixing needs, while MixControl Small has a reduced feature set and smaller interface for more general mixing tasks.

Elements v1.0.0 WiN MAC

Team FLARE | 03 November 2021 | WiN: 19.8MB | MAC: 75.7MB

Elevate Your Beats With Just One Plugin!

Elements is an all-in-one plugin that adds character to your melodies, or can even make your drums bang. Stop spending hours adding and tweaking effects. With Elements, you have everything you need in one place to get your desired sound immediately.

Vibraphone Renaissance

P2P | 25 November 2021 | 756 MB

.:REFiLL, AU, VSTi, WiN, MAC, 64Bit, KONKTAT, WAV:.

I’ve been given a highly damaged and noisy vibraphone recording by a fellow sound developer. Using the power of spectral repair, I manually fixed each note to its original state giving this vibraphone sample set a rebirth, hence its name Vibraphone Renaissance. Three variations of this vibraphone have been created: the original vibraphone sound, a looped version that can be sustained, and a granular drone version perfect for soundtrack scoring.

BowEcho v1.1 WiN MAC

TEAM R2R | 09.01.2014 | WiN+MAC: 7.79 MB

BowEcho is a modular sound mangler based on 4 delay lines. It offers a large palette of sound design options thanks to 4 LFOs that can run at control or audio rate, 4 Mixers that can also act as gainers, basic filters, ringmodulators or stereo splitters, and the ability to route the output of each module the way you want. For example the LFOs can act as raw oscillators that can be used to ringmodulate the feedback path of a delay line. The delay times can be modulated over a wide range to generate noisy glitches or basic pitch­shifting of the input. BowEcho is a versatile delay plugin that can adapt to your sonic needs : use it as a simple flanger with only one delay and one LFO, or go crazy and route all modules in absurd ways to produce creepy screaming drones.

Eos v2.2.1 WiN MAC LiNUX

ARTiCSTORM | 30 September 2021 | 13 MB

(Win32/64, MacOSX, LiNUX; AAX, AU, VST3, VST)

Eos 2 is a massive update our Eos algorithmic reverb. With an all-new entirely procedural GUI (featuring full Retina and Windows HiRes compatibility), a new cross-platform preset mechanism, a new reverb algorithm, the addition of crossover controls, the addition of VST3 versions, and a ground-up rebuild for future-proofing, Eos 2 is a worthy successor to our all-time best-plugin. Eos consists of four high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Three different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is not possible with convolution ‘verbs