TBPA Plugins Pack 2021.10 MAC
SPTNDC | 07 October 2021 | 275 MB
(AU, VST3, VST, STANDALONE)
Viewed 9357 By Music Producers & DJ´s.
ParamLink plugin helps you make parameter connections between two tracks and saves your automation drawing. For example, you can set the volume or cutoff in one ParamLink plugin to follow the change of another ParamLink plugin (or follow reversely).
PComp is a universal dynamic range compressor of audio signal.
MODO DRUM is IK’s first physical modeling drum virtual instrument. Using a powerful combination of modal synthesis and advanced sampling, MODO DRUM gives you the most deeply customizable virtual drum kits ever. Like our award-winning MODO BASS software, MODO DRUM delivers incredibly realistic and authentic tracks for your music, with a level of control over every detail you’ve never imagined before. Create the drum tracks of your dreams with access to every parameter of every drum in your kit, from size and tension, to material and play style, and so much more. MODO DRUM’s innovative modal synthesis technology shatters the limitations of traditional drum sample libraries, for a new standard in realistic, natural and customizable drum tracks.
Complete, Not Complex. If there is a single plugin to take to the desert island, it’s the VCS-1. This zero latency channel strip integrates all the tools needed for instant signal enhancement and dynamics control… and then some! Complexity remains under the hood, as the user interface is based on a comprehensive, practical layout which supports a nimble workflow and is easy on the eyes.
Building on a 17 year legacy, Ozone 9 brings balance to your music with the latest advances in machine learning for mastering audio.
Upright bass was sampled from the pluckings of a gigging upright bass player. The bass itself was an inherited instrument from the musician’s grandfather. The exact age of the bass is not known, but it had seen some action, and although a little beat-up, still sounded great! To produce this library, the bass was sampled through a close-miced stereo pair of Shure SM81’s, an AKG D112, a Neumann Tlm 102 and a “di” bridge pickup. During mixing, it was decided that the SM81’s blended with the D112 gave the best overall tone. The bass was sampled over the course of a few 10 hour sessions, where the bass player played plucked notes, slap bass, and slides. Boy, did his fingers burn after those slides!