ABMR v3.5.0 WiN MAC
P2P | 04 March 2022 | 6.84 GB
.: VSTi2, VST3, AU, AAX & STANDALONE :.
Ray5 aim to bring the Stingray 5 Classic 5-string bass sound to your studio.
Viewed 8026 By Music Producers & DJ´s.
Ray5 aim to bring the Stingray 5 Classic 5-string bass sound to your studio.
Trusted by top post production engineers to quickly and reliably deliver clean audio. With version 9, we’ve added new features and functionality to address some of the most common repair problems that exist in today’s post projects, making it the definitive choice for audio post production.
Don’t get stuck in complexity, with MorphoX you just need the modulation wheel and the keys to experience yet unheard expression and transformation in sound. Morphing made simple, in realtime, drastic changes in sound, right at your morph wheel. When you experience the sound sculptures of MorphoX you wont believe its just a quite simple subtractive synth with chorus, delay and an arpeggiator. Its dead easy to create your own morphing sounds.
Digital synthesizers are often known for sounds that are razor-sharp, crystal-clear, and precise – SQ80 V has other ideas. Explore a detailed software resurrection of a digital anti-hero that’s out to break the rules. Capture the grit, character, and charming imperfection favored by John Carpenter, Adamski, Mr Bungle, and countless others with an instrument that’s simultaneously complex and accessible, focused and intricate, edgy and dream-like – and unlike anything you’ve heard before.
Baglama or ‘saz’ is a folk instrument whose history goes back more than 1000 years, to a time when Turks first started settling in Anatolia. For centuries poets reflected their deepest emotions with baglama and it became an essential instrument for all kinds of traditional celebrations, including weddings. Meanwhile the instrument’s popularity spread from Asia to Anatolia, to Rumelia and even to some parts of Europe. It is still one of Anatolia’s dearest and most precious sounds.
A true one of a kind, Transgressor goes beyond the limits of standard transient designers. It gives you the ability to craft the sound of drums and other instruments not just in terms of attack and sustain, but timbrally as well. The Transgressor combines a transient designer with two equalizers. No big deal you say? Any EQ plug-ins will do? Au contraire mon frère. Transgressor not only lets you equalize the attack and sustain portions of the instrument’s envelope individually (yes, you read that right; attack can be equalized differently from sustain), but it also lets you dial in the specific low, mid, and high frequencies independently on each. What if you need a brighter attack but want to keep the dark resonance of toms or kick drum? Perhaps you need more midrange attack but wish to brighten the resonance of a hi-hat? Perhaps you’re happy with the overall sound of snare but the attack is just a little too bright. The answer is the Transgressor (you must have seen that coming). Only Transgressor gives you the ability to control transients and sustain without compromising one for the other.