AGTW v3.7.0 WiN MAC
Team R2R | 01 December 2024 | WiN+MAC:4.58GB
..:: STANDALONE, AAX, AU, VSTi, VST3, x64 ::.
Ample Guitar Twelve aims to bring a Taylor 956 CE 12-string Guitar sound to your studio.
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Ample Guitar Twelve aims to bring a Taylor 956 CE 12-string Guitar sound to your studio.
Ample Guitar VC aim to bring a Gibson SG Vintage 61 electric guitar sound to your studio, It is suited for 70 – 80’s vintage rock’n roll.
DP Meter Pro (DPMP) is a unique audio analysis tool: it combines very flexible and customizable audio meters with advanced side chaining control capabilities thanks to its MIDI and automation outputs. The metering capabilities of the DPMP plug-in let you control and monitor audio signals exactly the way you want: almost every aspect of the peak, RMS and crest factor meters can be customized. It proposes five different scales by default, including Bob Katz’s popular K-System scales (K-12, K-14, K-20), and you can create your own. Large colored statistics displays following your own scales are included for an overview of a track, while histograms give you a precise measurement of the dynamic range of the track. The graphs show the evolution of the audio envelopes over time, and the mid-side switch lets you verify mono compatibility problems and check the “stereoness” of your audio sources very easily. Whether you are working with mono, stereo or surround tracks, this plug-in will fit into your workflow.
Introducing Aurora: intelligent reverb for cleaner mixes. Aurora reacts to your audio to easily and dynamically unmask instruments and vocals, creating lush, three-dimensional space that won’t drown out your tracks.
RYM2612 is a software FM synthesizer in VST, Audio Unit, AAX and Rack Extension formats. It’s an emulation of the Yamaha YM2612 sound chip, best known for being the vibrant voice of the Sega Genesis/Megadrive videogame console. More than a simple sound-alike, the emulation is cycle-accurate to the original chip, that allows reproducing every unique possibility of the synth. On top of this, the amp circuitry of the console has been reproduced too, in order to obtain the same grain you’d get if you plugged the real hardware into your DAW.
The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”
ST-R-I-P is a analog inspired channel strip for OS X/VST/AU and Windows/VST/64/32. ST-R-I-P features subtle saturation and noise to emulate the behavior of analog mixing desks. It’s intended use is with pure in the box music to give it some texture and depth while having traditional sound shaping features like compression and equalizing at your fingertips. Get traditional, get ST-R-I-P