ResonHeart v1.0.0 WiN MAC

Team R2R | Oct 05 2019 | WiN: 31 MB | OSX: 28 MB

…::: Mechanical Synthesizer :::…

PLATFORMS: WiN32/64 – VSTi/VST3 | MacOSX – AU/VSTi/VST3

ResonHeart is the physical modeling simulation of a never seen before, experimental, aerophone-based acoustic instrument. Characterized by a complex modal-based architecture, this original machine has expressly been built to mimic the sound of different families of acoustic instruments – like winds, membranes, chromatic percussions, ethnic lutes and whistles, glasses, cymbals and crashes, vocal ensembles and choirs, or even an entire orchestral strings section – as well as to produce very unconventional, organic tones, evolving textures and expressive motion pads.

Pitchwheel v5.0.2/3 WiN MAC

Team R2R | 13 Sep 2019 | WiN v5.0.3: 3.7 MB | OSX v5.0.2: 15.2 MB

Real-time pitch and timbre

(Win64; AAX*, AU, VST3, VST)

The Pitchwheel plug-in freely alters the pitch and timbre of a sound in real-time. It has a large, easy to use dials and simple parameters making it a fast and creative effect unit. It can give fine tuning control from fractions of a semi-tone to huge multi-octave pitch swings.

gEQ12 v3.1.3 MAC

Team RET | 26 May 2020 | 2.9 MB

AU, VST, VST3

gEQ12 is 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the tone of a track , bus or master track. eEQ12 provides all necessary tools in one package paired with some unique features. The display shows the spectrum curve of incoming and outgoing signal. gEQ12 has the unique feature that the outgoing spectrum is directly calculated from incoming spectrum (incoming spectrum – filter curve = outgoing spectrum). This allows you to capture the incoming signal, to freeze it and to modify then the filter curve based on the altered outgoing spectrum. The filter response is controlled by 12 individual filter bands. Each filter band has its own display handle, which can be adjusted by mouse.

Dream Machine v1.0.0 WiN MAC

Team R2R | 23 May 2020 | WiN: 290.2 MB | OSX: 283.9 MB

WiN32/64 – EXE/VSTi/RTAS/AAX |♣ MAC: AU/VSTi/RTAS/AAX

DREAM BIG.

A hybrid instrument for modern pop, ambient soundscapes and soundtracks. EZkeys Dream Machine is a hybrid and preset-driven instrument designed for use in modern pop, ambient soundscapes and soundtracks. It’s centered around two main components from opposite ends of the audio spectrum: a Rhodes Mark 7 electric piano as well as an undisputed cornerstone in the melodic percussion family, the celeste. Both main instruments can be used individually, but together they form unique sonic texture unlike anything ever heard. In addition to these two instruments, a marimba and a xylophone are utilized in the background of several of the many included presets to paint even richer timbres of sound. All in all, EZkeys Dream Machine is a new creative vantage point in your arsenal of songwriting tools. It’s percussive, melodic and, quite frankly, sounds like a dream.

Cinematic Grand v1.0.0 WiN MAC

Team R2R | 23 May 2020 | WiN: 622 MB | OSX: 656.7 MB

WiN32/64 – EXE/VSTi/RTAS/AAX |♣ MAC: AU/VSTi/RTAS/AAX

PREPARE FOR THE UNEXPECTED.

Unique fabrics of sound, tailored for ambient soundscapes, soundtracks and creative sound design. In simple terms, EZkeys Cinematic Grand is a prepared piano – a traditional instrument that’s had its sound altered by objects placed on or between the strings. But in this case, that’s simplifying too much. EZkeys Cinematic Grand presents an all-new hybrid instrument where perfect fidelity meets altered harmonics and layered textures to form never-before-heard piano timbres. Based on a classic Bösendorfer from 1891, this one-of-a-kind instrument was recorded in four individual configurations – one where horsehair was used as a bow on each piano string (‘Bowed’); one where the strings were struck by hand (‘Plucked’); one where various preparations were added to generate a muffled tone color (‘Damped’) and, in opposite, one where the overtones were exaggerated, producing an ambient and soaring timbre (‘Harmonic’).

HYDRATONE v1.xx WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 12 MB | MAC: 10 MB

AU, VST, RTAS, x86

HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.

VALVETONE 62 v1.xx WiN MAC

AiR/ArCADE | 2008/2007 | WiN: 2.26 MB | MAC: 5.77 MB

AU, VST, RTAS, x86

ValveTone ’62 pays tribute to the EQs of yesterday; it’s all about “silky sex appeal” and “incredibly thick tone”. Deceptively simple BASS and TREBLE controls provide boost and cut algorithms that are both complex and pleasing. The DRIVE control provides you with four completely unique EQ curves:”Toasty 1″ and “Toasty 2”, which provides warm, velvet-smooth EQ, and “Smokin 1” and “Smokin 2”, which are more driven, colored and over-the-top. So, don’t expect some well-behaved Linear Phase EQ: ValveTone ’62 is all about character and TONE! Just turn the knobs and you’ll see what we mean.