• Micro Synth Pack v1.0.3 AU VSTi VST3 x86 x64 WiN MAC-R2R-MaGeSY

    Micro Synth Pack v1.0.3 WiN MAC

    TEAM R2R | 15.9.2016 | WiN: 3.72 MB | OSX: 2.2 MB

    …::: AU, VST, VSTi, VST3, x86, x64 :::…

    Classic DX10 based FM Synth and JX10 Analog Synth with a huge variety of sounds from classic pianos and keyboards to space age pads. In keeping with a long term Tracktion tradition the MDA synths are back! Since T1 Tracktion came bundled with the incredibly good value MDA synth pack. We’ve now taken the great engine behind those synths, improved them, and given them a new interface for easier control and visualisation. The FM Synth is based on the MDA DX10 and can produce a diverse array of sounds. From classic plucked and percussive instruments such as pianos, guitars and bells to extreme modulated intergalactic growling bass. It would be very easy to create an entire song using this synth alone!


    Viewed 49504 By Music Producers & DJ´s.


  • ABJ v4.0.1 WiN MAC-P2P
    May 17th, 2025 ⚡

    ABJ v4.0.1 WiN MAC-P2P

    ABJ v4.0.1 WiN MAC

    P2P | 17 May 2025 | WiN+MAC: 5.2 GB

    …: STANDALONE, AU, VSTi, VST3, AAX, x64 :…

    ABJ aim to bring the Fender Jazz Bass sound to your studio.

    Sampling: 2709 Samples, Size: 3.71 GB, 24bit 44.1khz, DFD(Direct from disk), Rich Fingering Noise – more vivid and realistic, Each Cycle & Rhombic Sampling structure – Separate sample cycle for each note and vel layer to improve sample utilization, Sustain, Palm Mute, Natural Harmonic, Hammer On & Pull Off, Legato Slide, Slide in & out, Slapping, Popping, Tapping, Accentuated, Staccato, Dead Note 14 articulations, Legato at random length & pitch & poly.


    Viewed 69263 By Music Producers & DJ´s.


  • Polaris v1.8.1 AU VST AAX x86 x64 WiN MAC-RET

    Polaris v1.8.1 WiN MAC

    Team RET | 13 August 2021 | WiN+OSX: 18.6 MB

    Polaris is an echo/reverb plugin inspired by early hardware digital reverbs of the late 1970s and able to provide echo, ambience and reverb out of a single multitap delay line. When hardware digital reverbs came out to the market they were really expensive. Most manufacturers were already exploiting chains of comb and allpass filters (smoother reverbs, but expensive in both resources and chips), there were other techniques involving the use of a single multitap delay line to create a reasonable reverb while keeping the cost affordable. That idea is so simple yet powerful: you mix a bunch of unmodulated taps (Early Reflections) with the remaining modulated taps (Diffusion) to create a cheap but convincing reverb.


    Viewed 39931 By Music Producers & DJ´s.


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