OptoRED v2.5 macOS

MORiA | 20 July 2025 | 26.6MB

PLATFORMS: AAX*/AU/VST3/64Bit

OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.

ZG Vocal Forge🗣️

Team DYNAMiCS | 23 November 2005 | 1.04 GB

VOCAL FORGE is a new ZERO-G virtual instrument created by MIKE WILKIE & MATTHEW CORBETT (who produced the critically acclaimed Sounds of the 70s VI) and is powered by Native Instruments Intakt. Its uniquely inspiring new library features 800 patches and over 2,500 samples in 1.2 Gb of brand new material sourced entirely from pro vocal performances. Male and female MCs, sweet R+B, gospel singers, dance and pop vocals all recorded with accompanying harmonies.

ABJF v4.0.1 Fretless Jazz Bass

P2P | 17 May 2025 | WiN+MAC: 2.3 GB

…::: STANDALONE, AU, VSTi, VST3, AAX, x64 :::…

Ample Bass JF aim to bring the Fender Custom Shop Jaco Pastorius Relic Fretless Jazz Bass sound to your studio.

Massive X v1.6.1 macOS

Team V.R | 17 September 2025 | 1.6 GB

(64Bit AU, VST3, VSTi)

The original Massive, having helped define the sound of modern genres such as dubstep and EDM, became synonymous with an exciting, forward-thinking approach to synthesis that unapologetically embraced its digital DNA. Famous for its intuitive interface and sonic potential – from enormous basslines and soaring leads, to evolving ambient textures – it quickly became a staple part of many production toolkits. Massive X is Native Instruments’ new flagship synth, built by the same team as its predecessor. Based on a state of the art architecture, it delivers pristine sound, and huge creative flexibility for artists and sound designers alike – allowing them to create, modulate, and experiment with sound from a huge range of sources, in any way they like.

〽️MiniMeters v1.0.21၊၊||၊

Team BTCR  | 15 November 2025 | 672.20MB

MiniMeters is a simple standalone audio metering app for Windows, macOS, & Linux. Monitor your System Audio*, Any Input, or insert the MiniMetersServer Plugin (VST3/AU/CLAP) at the end of your master channel in the DAW of your choice. Customize the layout in a horizontal bar (perfect for above or below your audio tool of choice) or pop out modules to create a custom layout.

PatchWork v2.75 WiN MAC

Team R2R | 14 November 2025 | WiN: 70MB | MAC: 539.8MB

WiN32/64 – EXE/VST/VST3/AAX | MacOSX – APP/AU/VST/VST3/AAX

“The virtual patchbay for audio plug-ins”

PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.

Polaris v1.8.1 WiN MAC

Team RET | 13 August 2021 | WiN+OSX: 18.6 MB

Polaris is an echo/reverb plugin inspired by early hardware digital reverbs of the late 1970s and able to provide echo, ambience and reverb out of a single multitap delay line. When hardware digital reverbs came out to the market they were really expensive. Most manufacturers were already exploiting chains of comb and allpass filters (smoother reverbs, but expensive in both resources and chips), there were other techniques involving the use of a single multitap delay line to create a reasonable reverb while keeping the cost affordable. That idea is so simple yet powerful: you mix a bunch of unmodulated taps (Early Reflections) with the remaining modulated taps (Diffusion) to create a cheap but convincing reverb.