Beat 228 Januar 2025 GERMAN

PDF | 03 January 2025 | 22.97 MB

STUDIOMONITORE: Alle Antworten zu Setup und Produkten auf 20 Seiten Das wichtigste Werkzeug zum Beurteilen von Mixen sind – na klar – die Studiomonitore. Doch worauf sollte man bei der Auswahl von Studiomonitoren achten? Warum ist es wichtig, dass diese einen linearen Frequenzgang haben? Und sind 2-Wege- oder 3-Wege-Lautsprecher für das Studiomonitoring die bessere Wahl? Das lösen wir gleich auf! Freue dich auf Antworten zu den häufigsten Fragen zum Thema Studiomonitoren. Plus Marktcheck zu allen aktuellen Aktiven inkl. geeigneten Kopfhörern.

Professional Audio 05 Oktober 2025

Deutsch | 46 pages | True PDF | 10 MB

Auch wenn der Herbst momentan eher grausuppig aus der Terrine schaut – professional audio enthält viele Themen, mit denen sich Oktober und November vergolden lassen. Endlich konnten wir eines der wenigen Testexemplare des heiß begehrten Brick Lane von Cranborne Audio ergattern. Unser besonders umfangreicher Referenztest beantwortet alle Fragen zu Technik und Klangpotential des Hardware-Kompressors. Im klanglichen Fahrwasser zweier Neumann-Legenden will das United UT Twin48 reisen – und wir haben uns das Röhrenmikrofon aus Baton Rouge ganz genau angesehen und angehört. Die sensiblen Ohren waren auch zu spitzen im Falle des Edel-Kopfhörers Audeze CRNB2, der neue Maßstäbe im vornehmen Elektrostaten-Club setzen könnte. Doch Tests alleine machen die neue Ausgabe noch nicht höchst lesenswert. Ein Top-Beiträg ist definitiv der neue Workshop von Diplom-Tonmeisterin Carina Pannicke, die offenbart, wie ihr euren Mischungen Mehrdimensionalität verleiht. Schließlich plaudert auch noch der von internationalen Künstlern hochgeschätzte Musikproduzent Patrick W. Engel im Exklusivinterview aus dem Nähkästchen.

SoS UK-USA November 2025

English | 148 pages | True PDF | 190 MB

REVIEWS: Sequential Fourm [front cover] • Aim Audio Inspire & Essence mics • SSL Super 9000 channel strip • KRK Kreate 5 • HUM Audio Devices N-STRIP • Rodec MX Modular mixer • Neural DSP Mantra plug-in • Audient ORIA Mini • Source Audio Encounter pedal • T-Rex TwinBlaze pedal • Spitfire Audio Château Piano • Supercritical Synthesizers Redshift 6 • Dynaudio Acoustics M2 MkII monitors • Audix PDX520 mic • AudioModern Soundbox • SPOTLIGHT: Broadband Absorbers • Eurorack modules • New sample libraries — and much more!

SoS UK USA January 2025

English | 148 pages | True PDF | UK:81MB | USA:92MB

Native Instruments Komplete 15 [front cover] • Melbourne Instruments Delia • Universal Audio Apollo X Gen 2 • Warm Audio WA76 compressors • SSL UC1 & 360 Link • Steinberg Cubase Pro 14 • Tascam Studio Bridge • EastWest Iconic synth library • Focusrite Scarlett 18i20 4th Gen • Slate Digital VMS • Audeze Maxwell headphones • Lauten Rim Mount • Heritage Audio Tubesessor • Polyend Tracker+ • Reason Studios Reason 13 • Project SAM Lineage Percussion • SPOTLIGHT: Drum Mic Sets • Eurorack Modules • New sample libraries — and much more!

Electronic Sound Issue 115

English | 100 pages | PDF | 62.1 MB

This month’s Electronic Sound cover stars are the effortlessly sublime Air, who are currently on an extensive world tour to promote the deluxe edition of their landmark 1998 album ‘Moon Safari’. Performing inside a huge glass box that looks like something out of Stanley Kubrick’s ‘2001: A Space Odyssey’, Jean-Benoît Dunckel and Nicolas Godin are playing the album live and in full for the first time – and the result is a major triumph. The French duo speak about the gorgeously languid and exquisitely produced ‘Moon Safari’ in our cover feature, as we assess the influence of a record that hit double platinum sales in the UK and remains an electronic masterpiece to this day. With big bells on.

Electronic Sound 114 June 2024

English | 100 pages | PDF | 62.5 MB

We’re investigating the visual art of John Foxx in this month’s Electronic Sound. While he is best known as the frontman of Ultravox and a revered solo musician in his own right, Foxx is also a highly distinctive visual artist. He has worked in photography, collage, graphic art and other media since the mid-1970s, and his extraordinary portfolio is detailed in a forthcoming book called ‘Electricity And Ghosts’. We’ve invited him to talk about some of his favourite pieces from the book, and the result is a fascinating glimpse into his artistic approach and the aesthetic principles he applies to both his imagery and his records. You could describe it as a sort of synthesis of John Foxx. We have a bumper selection of other great interviews elsewhere in this issue too, including Jeff Mills, John Grant, Suzanne Ciani, Orbital, Wolfgang Tillmans, Low End Activist, Keeley Forsyth and Chanel Beads. We also have a splendid new regular column called “The Best Of…”, which we think you’re going to really love. Our first volunteer is μ-Ziq man and Planet Mu label boss Mike Paradinas, who speaks about peaches, thigh-high socks and geek pies. As you do.

Beat Issue 238 November 2025

English/German | 17 October 2025 | PDF | 91.9 MB

(English and German Edition)

How To Turn Your Beats Into Cash: HIP-HOP Producer Masterclass in Beat 11/25. Write some lyrics, build a beat, record vocals … done! Really? Hip-hop sounds simple at first. But if the result is to be authentic and contain your signature sound, things get more complex. In this masterclass, we‘ll show you the entire recording process – including mastering – using a complete song production from beatmaking to release. You‘ll also learn how to write crisp lines, record and stage vocals, which tools will support you in beatmaking, how to legally circumvent sample clearance, and ultimately how to make money from it. Vocals, song templates, and copyright-free samples are included.