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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • EQiSM 220 v1.02 VST x86 WiN-R2R
    May 22nd, 2021 ⚡
    Categories: VST, WiNDOWS, x86

    EQiSM 220 v1.02 VST x86 WiN-R2R

    EQiSM 220 v1.02 VST WiN

    R2R/MaGeSY® | 19.03.2021 | 1.15 MB

    EQISM.220 is a Parametric Equalizer, with five adjacent bands seperated by filters of 2nd to 20th order. It’s focus is ease & fun of use. The second order filter section is sufficient for most mixing tasks. And it is free. There is no demo noise in the unregistered version as long as you use it. The filters of higher order make EQISM.220 a sound wizard for skilled users. They have the power to cut deep into your sounds and attenuate or amplifie even smallest frequecy bands as exact as you like.



    Viewed 12357 By Music Producers.


    • TriTone-Digital HYDRATONE v1.xx WiN MAC
      May 22nd, 2020 ⚡

      TriTone-Digital HYDRATONE v1.xx WiN MAC

      HYDRATONE v1.xx WiN MAC

      AiR/ArCADE | 2008/2007 | WiN: 12 MB | MAC: 10 MB

      AU, VST, RTAS, x86

      HydraTone is a five-band convolution EQ with fixed-curve bass and treble bands and true parametric low-mid, mid and high-mid bands. Additionally, HydraTone offers separate bass and treble filter sections featuring the unique ability to provide both filter-cut and filter-expansion processing. HydraTone allows the user to do more than simply select a single classic analog circuit for their EQ model; HydraTone also allows the user make this selection on a band-by-band basis. This allows the user to, for example, simultaneously use one EQ model on the bass band and a separate model on the high-mid band. HydraTone’s output stage provides several additional algorithms. The first is a unique signal warming and mild compression algorithm called “Fire”. The second is the ability to perform frequency-specific phase manipulation similar to that of hardware boxes popular for aligning multi-signal pairs. Finally, HydraTone allows the user to select a completely separate signal-path model for final output coloration.



      Viewed 26949 By Music Producers.


      • NSEQ-2 v1.5 WiN-R2R
        February 14th, 2019 ⚡
        Categories: AAX, VST, VST3, WiNDOWS, x64, x86

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        NSEQ-2 v1.5 WiN

        Team R2R | Feb 14 2019 | 33 MB

        PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

        The Millennia NSEQ-2 is a go-to parametric EQ for many of the world’s leading studios and mastering houses. Its unique Twin Topology design and pure Class A transformer-less circuitry offers a simplicity which yields a powerful, sonically neutral, analog EQ. The plugin version of the Millennia NSEQ-2 is a faithful digital model of this remarkable piece of ultra high-end hardware, brought to you by the modeling experts. This brings a state-of-the-art boutique EQ to your DAW.



        Viewed 13198 By Music Producers.


        • ParametrEQ v3.52 WiN MAC-R2R
          October 29th, 2018 ⚡
          Categories: AAX, AU, Blue Cat's, macOS, VST, VST3, WiNDOWS, x64, x86

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          ParametrEQ v3.52 WiN MAC

          Team R2R | 29 Oct 2018 | WiN: 9.1 MB | MAC: 46.2 MB

          PLATFORM : WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

          Parametr’EQ is a 7 bands parametric equalizer combining the advantages of both the digital and analog worlds. Its special non-linear and oversampling features let you easily simulate the compression and distortion that may occur in an analog EQ or on the contrary obtain a very clean and transparent digital EQ. The plug-in includes a low shelf/low cut filter, a high shelf/high cut filter and 5 boost/cut band filters. An optional brickwall limiter has been added to the output to protect your ears and monitors. Its wide range of gain (+/-40 dB per band) and bandwidth (one hundredth to five octaves) makes it suitable for any equalization task, especially with the extra zooming capability that lets you define your own range for the user interface. The included skins let you choose the layout that best suits your needs, and you can completely customize the user interface thanks to Blue Cat’s Skinning language support. The graph displays the computed frequency response of the plug-in, so that you can exactly know how your signal is processed. This is not an approximated or “ideal” response curve based on the controls of the user interface, but the exact computed frequency response of the filter, which makes this plug-in a true WYSIWYG (What You See Is What You Get) equalizer.



          Viewed 9052 By Music Producers.


          • Neo MasterTool v1.0.0 VST x86 x64 WiN CE-V.R
            January 8th, 2018 ⚡
            Categories: VST, WiNDOWS, x64, x86

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            Neo MasterTool v1.0.0 WiN

            Team V.R | Jan 08 2018 | 2.4 MB

            VST x86 x64

            Neo MasterTool is a multi-band, multi process mastering system within one plugin. With NeoMasterTool you have all the weapons you need for mastering in one unit. A very flexible 5 band fully parametric EQ, you can tweak all the adjustment on the GUI windows. And Analog sounding make it sounds big in your mastering project.



            Viewed 7490 By Music Producers.


            • Fidelity EQ v1.0.0 AU VST VST3 x86 x64 WiN MAC
              October 26th, 2017 ⚡
              Categories: AU, macOS, VST, VST3, WiNDOWS, x64, x86

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              Fidelity EQ v1.0.0 WiN MAC

              P2P | 26.10.2017 | MAC: 10.45 MB | WiN: 6.43 MB

              AU VST VST3 x86 x64

              Strengthen you audio signal with Fidelity EQ. Our 7 Band Parametric Equalizer is perfect for mixing and mastering, to sculpt your records and give life to your songs. Equalization is a key skill for a music producer and the better your tools the better your sounds. This Parametric EQ is packed with handy features to help you make better decisions when equying any track. We have also included a bunch of presets so that you will have a base to start tackling your mix channels. We started this project thinking “hey, lets make a equalizer… it does not seem too complicated!” We were wrong. It is complicated but we managed to make this equalizer with a great sound and with a nice looking interface. We use it in every production that we do now and let me tell you our sounds are getting better every day. Yours can too…



              Viewed 5238 By Music Producers.


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