Sound & Vision is at the forefront of the ever-changing, always dynamic world of electronic entertainment. Authoritative and accessible, written with insight and humor, Sound and Vision is the preeminent source for consumers of home theaters, audio, video and multimedia products.
AppleMagazine is a weekly publication packed with news, iTunes and Apps reviews, interviews and original articles on anything and everything Apple. AppleMagazine brings a new concept of light, intelligent, innovative reading to your fingertips; with a global view of Apple and its influence on our lives – be it leisure activities, family or work collaborative projects. Elegantly designed and highly interactive, AppleMagazine will also keep you updated on the latest weekly news. It’s that simple! It’s all about Apple and its worldwide culture influence, all in one place, and only one tap away.
Effekthascher is a fast and intuitive multi-fx-performance-box with high fun-factor. Over 90 fx and filters are waiting to play in 8 units. Direct access to 64 subpresets (so called flex) per each master-preset. Flex supports fully remote/automate by host.
Bespoke music and sound design. TV & radio advertising, trailers & promos, corporate production or wherever else tailored audio is required. Our expansive pool of composer and musician talent are all experts in specific genres and production methods and have provided music for literally hundreds of commercials, TV shows, promos & more. Our state-of-the-art Soho studios & suites not only mean production is always of unbeatable quality but that we’re on hand to turn around projects double fast, or faster if thats what you require. What this all adds up to is the provision of some seriously intuitive and nail-on-the-head audio… and some appreciated compliments and big-ups from happy creatives and producers. Get in touch and let us show you why they are smiling.
100+ high quality sounds full of life and character. If you are like me, and don’t want tons of million-times heard sounds sitting on your computer, but rather a carefully-selected set of inspiring patches, then The White Raven is for you. 12 aggressive dubstep-style basses “from the hell”, 13 nonstep (means normal) analog-sounding warm and punchy basses, 5 unique bell-sounds, 3 epic brasses, 10 enchanting chords and strums, 10 really useful fx-s, 7 acoustic-like keys, 6 pleasant sounding leads for melody, 10 loops each with own character, 6 pads “from heaven”, 4 unexpected passages, 6 convincing rhythmical/gated pads, 8 mysterious soundscapes and drones.
Second pack of incredible Massive presets for lovers of the hard and dark bass for DnB and beyond. Utilising the full power of Native Instruments powerhouse synth, expect rich layers of sonic movement and deep churning bass sounds that with both inspire and terrify at the same time. The neighbours are not going to be happy! We’ve included a wide range of sounds from techy, Detroit stabs and weaving leads to other worldy FX presets and lush, developing pads. High energy Arps which move and bounce are ready and waiting to be layered over low, throbbing bass sounds that will do serious damage to any dancefloor. A fine collection of tearing Reese Bass presets will punish your DAW and quickly crown you king of the Neuro bassline. All these sounds have been highly processed and designed within Massive to give you the best possible tools for your tracks in the quickest possible time. All presets come with 8 macros for you to easily take control of these amazing and inspiring sounds. This is a collection you don’t want to miss out on if you are keen to make huge, powerful DNB tracks today!
When I first started music production in FL Studio, it was amazing. Hearing the intro bleep excited me to no end because I knew there were millions of ideas I could create in the studio. I began scrolling through the many factory sounds, gathering random synths that had nothing to do with the genre of music I was creating. Then, I would start the drum sequence using weird patterns that had nothing to do with hip hop. I would go on crafting a weird composition until I was left with what seemed like two beats in one.
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