Head Crusher is the ultimate analogue saturation workhorse, Head Crusher can go from subtle warmth to full on harmonic destruction. Use it to give drums more power, to make vocals stand out in the mix and sound more aggressive, even use it with a synthesizer and cook up new and exciting sounds, the possibilities are endless.
TAL-BassLine-101 is a monophonic bass synthesizer with a classic analogue sound. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects. BassLine has a very smooth and authentic analogue sounding 24dB zero feedback delay resonance low pass filter. Especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch. Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. BassLine generates all wave-forms in real time.
TAL-U-NO-LX is a fully rewritten emulation of the popular hardware with a new engine and GUI. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. As an addition, the TAL_U-NO-LX also supports portamento and different filter LFO waveforms and some more useful features. An arpeggiator with different sync modes and hold function is also included. A very fast envelope with a smooth roll-off and emulated inaccuracy gives this synth the typical sound. The synth was calibrated after a hardware device that’s property of TAL.
Blue Cat’s Dynamics is a complete dynamics effect processor: it can be used as a compressor, limiter, gate, expander or even waveshaper for distortion. You can manage the dynamics response of the plug-in with a unique two-thresholds system. The plug-in includes an input filter as well as a side chain filter, in order to control the frequencies affected by the compression. Its continuous VCA/Opto and Peak/RMS controls let you smoothly and precisely choose the behavior of the envelope detection like you have never been able to. The plugin also provides advanced stereo features, with mid/side processing capability, multiple stereo linking options and the ability to choose on which channels to apply the effect.
Sonik Synth 2 is the ultimate synth workstation, with more synth and workstation instrument sound than any other comparable hardware or software. Over 5,800 sounds and 8 GB make up the largest collection of modern and vintage instruments ever assembled in one product. A synth workstation on steroids. A complete songwriting, producing and arranging super tool with the widest range of high quality vintage, modern and futuristic synth and instrument sounds ever combined into one package!. Includes an incredible workstation sound set of important compositional tools such as rich evolving motion synths, pads, leads, basses, electronic drums, percussion, and FX; as well as pianos, organs, guitars, drum kits and beats, orchestral instruments, human voices, ethnic instruments and more. Sonik Synth 2 also features an astounding 152 MB, 3 dynamics, grand piano and other first call high performance instruments.
We dreamt of a WOW2 and now it is here! With a future-dripping user interface, 21 incredible filter types with the famous vowel mode. With distortions that cover your tracks with gas and put them on fire. Modulations that cause more trouble than your modular dark room. And finally that warm and juicy sound, that you were looking for. Get WOW2 now! (Skrillex, Boys Noise, SiriusMo, Modeselektor, MouseOnMars already did) 21 Filter types like Lowpass, Bandpass, Highpass, Bandreject, Comb and much more. Low pass types up to 48 db, including flavors like SVF, Diode Ladder and Transistor Ladder. The filters and distortions have been designed for best harmonics without aliasing, for high definition audio quality. Three different analog modeling overdrives and four digital distortion functions are included. Use them pre or post the filter.
SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic “Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi parametric filter bands. SlickEQ GE offers a switchable EQ non-linearity as well as six different output stages. These options offer subtle and interesting textures, from the typical “mojo” often associated with high quality analogue audio gear, up to more obvious saturation. An elaborate auto gain option automatically compensates for changes of perceived-loudness during EQ (within reasonable limits) and a gain-trim feature helps controlling peak overloads with ease. The 64bit multi-rate processing scheme (a.k.a. “internal re-sampling”) practically eliminates typical problems of digital EQ implementations such as frequency-warping, quantization distortion and aliasing. Beside the primary controls, the plug-in comes with an array of additional helpers: Advanced preset management, a frequency magnitude plot, undo/redo, quick A/B comparison, copy & paste, an online help, editable labels, mouse-wheel support and much more. Finally, SlickEQ GE allows to exclusively process the stereo sum or stereo difference without external sum/difference encoding (see “M/S” microphony).
