Verberate Immersive v2.3.2 WiN MAC

Team R2R | 12 July 2025 | WiN: 14.22MB | MAC: 32.76MB

PLATFORM: AU/VST/VST3/AAX/x86/x64

Verberate Immersive 2 is a surround reverb and a 3D capable edition of Verberate 2 — our algorithmic reverb plug-in that simulates real acoustical spaces with exceptional realism. Verberate Immersive 2 replaces Verberate Surround and supports all common surround and immersive formats up to 7.1.6 channels. The new Vivid Hall algorithm adds time variance to avoid the stiffness that plagues convolution based reverbs while preserving the natural high density reverb tails of Verberate Surround 1.

CamelSpace WiN MAC

TEAM AiR/HEXWARS | xx.01.2010/01.01.2016 | 5.37MB

CamelSpace is a rhythmic multi-effect that adds dynamic interest to pads, drums and just about anything else. It features a powerful 128 step ‘trance gate’, routable to cutoff, pan and volume, an auto-panner, exciter, flanger, multi-mode filter, stereo delay, reverb and more.

Verberate Immersive v2.3.2 MAC

MORiA | 11 July 2025 | 35.7MB

PLATFORM: AU/VST/VST3/AAX/x64

Verberate Immersive 2 is a surround reverb and a 3D capable edition of Verberate 2 — our algorithmic reverb plug-in that simulates real acoustical spaces with exceptional realism. Verberate Immersive 2 replaces Verberate Surround and supports all common surround and immersive formats up to 7.1.6 channels. The new Vivid Hall algorithm adds time variance to avoid the stiffness that plagues convolution based reverbs while preserving the natural high density reverb tails of Verberate Surround 1.

80s Spaces v2.5.1 MAC

Team HCiSO | 09 November 2025 | 338.91 MB

PLATFORM: AU/VST2/VST3/AAX(MOD)

The ultimate “80’s Vibe” reverb plug-in.. 80’s Spaces “magically” emulates the typical reverbs and space effect units used by legendary artists such as Michael Jackson, Madonna, Duran Duran, Guns N’ Roses, Tears for Fears, David Bowie, Depeche Mode, U2, Eurythmics, George Michael, Phil Collins, Queen and so many others.

Cubase Pro 15 v15.0.5 MAC

Team V.R | 07 November 2025 | 1.73GB

SHAPE YOUR SOUND. BE UNIQUE.

From Hollywood blockbuster composers and Billboard Hot 100 producers right through to keen beginners, the world of music production trusts in Cubase. The reference standard for music production software – Produce tracks from start to finish – Suitable for all genres, levels and budgets – Fast, flexible and intuitive workflows

WavePad Sound Editor v20 WiN MAC

TEAM BTCR | 08 July 2025 | 10.4 MB

WavePad Sound Editor is a full featured professional sound editor for Windows and Mac. WavePad Sound Editor will let you edit and make voice and other audio recordings. When editing audio files you can cut, copy and paste parts of recordings and, if required, add effects like echo, amplification and noise reduction. WavePad Sound Editor works as a wav editor or mp3 editor but it also supports a number of other file formats including vox, gsm, real audio, au, aif, flac, ogg and more. WavePad Sound Editor is designed to be a very easy and intuitive to use for audio editing. Within minutes you will be able to open or record a file and edit it. But if you take time to explore the other features you will find many powerful tools for editing audio designed with the professional sound engineer in mind.

OP-X PRO-3 WiN MAC

Team R2R | 05 November 2025 | WiN: 23.2MB | MAC: 50.9MB

OP-X PRO-3 is a 12-voice semi-modular virtual analog synth based on OP-X PRO-II which includes all sounds and features of OP-X PRO-II and fullfills virtually all requests and wishes from users collected over the recent years. Due to its massive features and flexibility OP-X PRO-3 is able to emulate the typical sounds of almost ANY analog synth of the late 70s and 80s including OB-X, Matrix-12, Jupiter-8, Prophet-5 and even Minimoog. The same as its precedessors did since 2006 the synth engine of OP-X PRO-3 exactly clones the inner working of real voltage controlled polyphonic analog synths of the late 70s and 80s in every tiny detail. This includes that each voice is a completely independend mono-synth sitting on a separate circuit board or in a separate circuit section on a common board and features tuning trimpots to wipe-out the differences caused by device tolerances which usually was done by a technician prior to shipping. For the user the synths usually offered an autotune function which sent an offset voltage to the voice boards to flatten differences which again could arise caused by warm-up drift and thermal shifting of the trimpots and devices. Early synths only offered this for oscillater pitch, but later synths like Matrix-12 also for filters and other parameters. This is offered too in OP-X PRO-3 and the same as in the originals you usually manage the tuning only uning the atotune unit and not by tweaking trimpots everytime which would be cubersome, but with the advantage that you can go forth and back (so tune and detune again) and even can tune or detune seamlessly, so seamlessly blend between the tuned and detuned state.