C660 Compressor Presets Nebula UPDATED

44.77.59 | 08 May 2016 | 263.5 MB

This set is ‘based on’ a very highly regarded remake of the classic 660 compressor. It can sound ‘creamy’, yet still clear and detailed. It has been called the best compressor around for vocals by many, as well as for slamming drums, and among other uses it can even give sounds a nice sheen without engaging the compression. Many commonly use it with just a few dB of reduction solely for it’s velvety sound. I think the positive qualities of the comp have translated well to this set, and I would imagine that almost anyone could find several uses for these programs.

Creamy 660 Comp/Limiter NEBULA

NanoBeat | 09 January 2015 | 205.1 MB

This set is ‘based on’ a very highly regarded remake of the classic 660 compressor. This comp is widely considered to be one of the out there. It can sound ‘creamy’, yet still clear and detailed. It has been called the best compressor around for vocals by many, as well as for slamming drums, and among other uses it can even give sounds a nice sheen without engaging the compression. It’s commonly cited as a favorite for vocals, acoustic guitar, and other material. Many commonly use it with just a few dB of reduction solely for it’s velvety sound. I think the positive qualities of the comp have translated well to this set, and I would imagine that almost anyone could find several uses for these programs.

Behemoth For Nebula 3

Team MAGNETRiXX | 10 February 2014 | 156.74 KB

 About: Behemoth is based on a custom analog/digital chain that is intended to “clean-up” low end while mostly intensifying lower level harmonic content. Although primarily aimed at low level low-mid frequency content, subtle higher details are also brought to the forefront. The purpose here is to hopefully bring about fuller and more forward sounding program material albeit in a non-traditional sense of compression or dynamic controlling. A consequence and benefit of this psycho-acoustic processing is the saving of a dB here and there, sometimes more depending on the specific material at hand: fuller sounds at a similar output. A similar characteristic of the preset “So Transcited”.

Distressing Mojo for Nebula 192 khz

P2P | 17 February 2014 | 673 MB

The Mojo series are samplings to give you the tone of the hardware that allows for a hybrid approach . Simply put, with Eqs and compressors you can use your favourite emulation plugin to control the action and curves and just use my presets to add the much needed clarity, 3D quality, dynamics, warmth etc. It is my attempt to allow you to use your favourite plugin but to add the mojo that plugins lack.

Classic Logic Console for Nebula 3

AlexB | 13 January 2013 | 961 MB

The PITBULL console: It’s the world’s most successful studio production console. It’s reputation is built upon excellence of design, advanced electronic engineering and a sound quality that has produced hundreds of best-selling recordings. A key element in the sound of many of these recordings is the punch and drive of the mixes created by this classic ’80 console. This unit has been serviced and upgraded to give serious punch and animal power with unbelievable cleanness.

Shady Mountain Compo Mojo

NanoBeat | 04 January 2015 | 1.35 GB

Emulation of the Shadow Hills Mastering Compressor

Sampled with ‘Prismsound Orpheus’ precision you will not be disappointed. Provided in 192 khz, 96 khz and 44.1 khz. 63 presets. Library size is 1.49 GB. 10 distortion kernels. This box is the stuff of legend for mastering guys. UAD made a plugin version that some users feel lacks a little bit of the vibe of the real box. Well today you can get a little bit of that magic back by purchasing this library. Get the transformer magic by using it with the UAD plugin . These are subtle but consider sandwiching the plugin between two instances if it is too subtle for you. Here are Bypassed presets, through the engine but not the transformers, then the transformers without GR and finally with some GR.

Nolard Spring Reverb & Tape Delay

P2P | 12 September 2024 | 1.13 GB

This great sounding spring reverb is unique among Nebula reverbs, because it includes a control which acts like a ’tilt’ EQ, tilting from ‘bassy’, through flat, to ‘trebly’. It sounds massive on the bassy side. I also provide a fade control which allows you to shorten the length of the reverb while keeping a nice smooth fade-out. These controls are both firsts in the Nebula world, and they allow you to fine-tune the sound so the reverb fits more perfectly in your mixes. I made ‘lite’ versions for use during mixing, that you can use to audition the sound and find the best combinations of settings on the controls that work well in your mix. These versions load fast and use little resources, so you should even be able to use multiple instances. The full versions sound better though, so you should switch to them for rendering, which is quick and easy to do using the buttons on the included custom skin! There’s also a version of the reverb without the fade control, and another without the EQ and fade controls. Those use even less CPU, and all are accessible from the buttons on the skin.