B-3 V v2 2.4.1 WiN

MORiA | 31 August 2021 | 348.6 MB

APP/VSTi/VST3/64BiT

The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities. Monarch of electronic organs, the rich sounding B3 has been a staple of jazz, gospel, rock, reggae and R&B—not to mention pro studios everywhere—for over a half century. Its electromagnetic tonewheel design gave it a beefy quality not found on later transistor organs. Our faithful homage includes an authentic rotary speaker and an array of stomp boxes, plus inspiring updates like analog circuit mods and drawbar modulation for new animated and syncopated effects.

Lem Echo Music v1.0.1 macOS

MORiA | 28 October 2021 | 15.76 MB

The Lem Echo Music plugin recreates the nostalgic tones of the vintage Italian tape delay effect from Lem. This authentic emulation simulates the classic sound of three playheads on one strip of tape, with all the wonderful wow, flutter, and degradation of the original. We’ve also added enhanced features not found on the original effect to make this plugin even more customisable when crafting your sound.

Material Comp v1.0.5e MAC

Team FLARE | 07 July 2021 | 155 MB

..:: AU, AAX, VST2, VST3, 64Bit ::..

Added MORiA VERSiON

A cutting-edge compressor that is equipped with ”DFP(Division of Force Processing)” a technology that VQ spent 3 years developing to thoroughly reproduce the nuances of an analog circuit. Mastering grade signal processing technology can be achieved with an extremely low CPU load. The internal processing is fully 64 bit and produces sounds with unbelievable transparency.

MODO BASS v1.5.2 MAC

Team MORiA | 07 August 2021 | 184.78 MB

..:: AU/VSTi/VST3/64Bit/STANDALONE ::..

MODO BASS® is the first physically modeled bass virtual instrument that gives you an unprecedented realistic performance for your bass tracks. As a producer, you want the best possible bass sound you can get… you want realism, credibility and authenticity that delivers the most accurate and inspiring performance. Sometimes you just can’t hire the right bass player, and some virtual instruments out there can leave you flat and uninspired. Enter MODO BASS — the industry’s first true physically modeled instrument from the leader in analog modeling technology. 8 years in the making and developed in collaboration with one of Europe’s oldest universities, MODO BASS is a completely new breed of instrument that delivers the best of both worlds: the realism and sound of an instrument being played by a master musician and the convenience of a plug-in virtual instrument.

Neutron 3 Advanced v3.7.0 WiN

MORiA | 13 October 2021 | 376.1 MB | PRO: 622 MB

(Win64; VST3, VST)

The modern way to mix

From the makers of Ozone and RX, Neutron 3 will bring your mixes into the 21st century. Work faster than ever with better performance, new interactive visualizations, and Mix Assistant, which automatically sets levels across your session.

Tantra v2.0 macOS

MORiA | 04 October 2021 | 17.0 MB

(AU, VST3, VSTi)

Tantra 2 is a rhythmic multi-effects plugin that can create mesmerizing rhythmic sequences from any source material, no matter how flat or dry. Take lifeless basic synth sound, a deep and evolving pad, or even an arpeggiated sequence and instantly reshape it, making it sparkle and come to life with just a few clicks.

KORG MonoPoly v2.2.0 MAC

MORiA | 05 Aug 2021 | 17.1 MB

..:: AU, VSTi, STANDALONE :::.

The Mono/Poly is Korg’s four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities, these two magesy instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg’s best synthesizer yet, with a number of unique characteristics. It provided four VCOs, each providing adjustable pitch, waveform, octave, and level, which could be stacked together for massive sounds, or cycled through one at a time for constantly shifting timbres. Together with one VCF, one VCA, two EGs, and two MGs it provided a powerful yet accessible programming structure.