Meet Velvet. A smarter de-esser for smoother vocals. Soften harshness and sibilance, dynamically shape tone, and remove distracting mouth noises and clicks – all in one easy-to-use plugin.
The Ampknob BDE 120 plugin captures one of the most powerful and unmistakable high-gain voices of the last three decades. Known for its crushing low end, razor-sharp attack, and blistering upper mids, this amp has become a cornerstone of modern metal recording and a defining element of producer Jens Bogren’s signature sound. This particular 120-watt monster is definitely not a “shelf-warmer” in Fascination Street studios’ amp armory. It is one of Jens Bogren’s personal favorites, the amp he reaches for when precision, aggression, and mix-ready clarity are non-negotiable. From the tightest rhythm chugs to soaring, saturated leads, the BDE 120 delivers tone that stands out in even the densest arrangements.
The intent of the Fixed Filter Bank was to enhance the primary signal of the synthesizer, adding harmonics at specific frequencies or removing them at others. Some wanted completely new and never before heard sonic landscapes to push themselves and their audiences into new worlds of musical experience. Others wanted to create more traditional and familiar sounds, while still pushing the boundaries and making use of the new voltage controls, features, and character not available in a traditional “un-plugged” instrument. Some wanted both. Enter the new reimagined P915 MEDUSA Fixed Filter Bank. A filter which adds subtle or not so subtle resonances to the signal or removing frequency bands altogether. This process, when mixed in with the unaltered, “dry” signal, can mimic the actual behavior of a traditional instrument. It can also act on its own as a unique and creative source of sound shaping possibilities not available in other filter structures.
5 powerful creative effects. 1 innovative EQ workflow. Easily add drive, dimension, and texture without complex routing, buses, and sends.
KORG’s legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms. Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control. Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup.
Modwave Native Wavetable Synthesizer Synthesis powerhouse with distinctive wavetable timbres, Kaoss Physics, and Motion Sequencing 2.0. The modwave, released in 2021, builds on the DW legacy and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, sophisticated pattern sequencing, and macro controls to deliver unique, powerful, and easily customizable sounds and phrases.
Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility. It’s already garnering acclaim as one of the best synths of the year. Now, Korg is pleased to announce multi/poly native, the fully-compatible software counterpart to the hardware multi/poly synthesizer. multi/poly native is available in VST3, AAX, and standalone formats on both macOS and Windows, as well as AU on macOS. You can seamlessly exchange sounds between hardware and software, and access an increasing number of excellent third-party libraries, keeping the updated sounds and software fresh. Produce in your DAW with multi/poly native, and then play the same sounds on stage using the multi/poly hardware. Create sounds with the hardware’s hands-on interface, and then share them with a computer-based collaborator.
