🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • UrsaDSP Boost v1.5.8 macOS-MORiA
    July 4th, 2022 ⚡
    Categories:

    UrsaDSP Boost v1.5.8 macOS-MORiA

    .:Boost v1.5.8 macOS:.

    MORiA | 10 March 2022 | 6.23MB

    AU/VST3/AAX/64Bit

    Boost increases the loudness of audio material. Use it as a signal enhancer during mastering, or to reveal hidden details while mixing or creating new sounds. Set the Output Ceiling, dial in Attack and Release times, and use the main Boost dial to get anything from a gentle increase in average loudness to an all-out smashed-up signal. Boost applies transparent signal maximization for a professional sound, and thanks to the unique Focus control, you can maximize a signal upwardly, applying more gain to quieter sounds – NO CLIPPING, ever. A Drive control (plus extra Punch setting for transients) are on-hand to add energy and warmth to the signal.


    Viewed 15703 By Music Producers & DJ´s.


  • MicroToner v1.0.1 WiN MAC-MORiA

    MicroToner v1.0.1 WiN MAC

    MORiA | 18 April 2022 | WiN: 28.13 MB | MAC: 20.8 MB

    PLATFORM: STANDALONE/VST3/AAX(MOD)

    Welcome to MicroToner. MicroToner allows you to easily play Microtones with your plugins and virtual instruments. Modeled after Oriental Scale Converters, MicroToner modifies incoming MIDI Pitch Bend information to allow most virtual instruments and plugins to easily play microtones. Break free from the twelve-tone scale by dialing in world microtonal scales with an “oriental-style” scale converter. MicroToner ships with a huge library of the most popular scales used throughout the middle-east and the world.


    Viewed 23669 By Music Producers & DJ´s.


  • Solo v1.2.13 macOS-MORiA
    June 10th, 2022 ⚡
    Categories:

    Solo v1.2.13 macOS-MORiA

    Solo v1.2.13 macOS

    MORiA | 10 June 2022 | 994 MB

    PLATFORM: AU/STANDALONE/VST3

    Welcome to SOLO, a new virtual instrument that authentically recreates the sound of modern world music. Whether it is quickly playing presets, tweaking sounds, setting up comprehensive modulations, or trying unique microtonal scales, SOLO is designed to be easy to use. We’ve partnered with musicians and producers from around the globe to include a library of authentic sounds to help you stand out from the crowd. If you want to explore more, you can import your own custom multi-samples into SOLO. Welcome to a new world of sound.


    Viewed 10637 By Music Producers & DJ´s.

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  • Solo v1.2.12 macOS-MORiA

    Solo v1.2.12 WiN MAC

    MORiA | 26 April 2022 | WiN: 78.17 MB | MAC:78.11 MB

    PLATFORM: STANDALONE/VST3/AAX(MOD)

    Welcome to SOLO, a new virtual instrument that authentically recreates the sound of modern world music. Whether it is quickly playing presets, tweaking sounds, setting up comprehensive modulations, or trying unique microtonal scales, SOLO is designed to be easy to use. We’ve partnered with musicians and producers from around the globe to include a library of authentic sounds to help you stand out from the crowd. If you want to explore more, you can import your own custom multi-samples into SOLO. Welcome to a new world of sound.


    Viewed 53448 By Music Producers & DJ´s.


  • KORG MDE-X v2.3.1 macOS-MORiA

    KORG MDE-X v2.3.1 MAC

    MORiA | 25 May 2022 | 5.5MB

    MDE-X is the exhilarating multi-effect plug-in first introduced in the Korg Legacy Collection. With the new Korg Legacy Collection – DIGITAL EDITION, the MDE-X Version 1.2 is here, and now supports RTAS plug-in format, as well as VST and Audio Units formats. Featuring a low CPU drain design, MDE-X v1.2 provides 19 high quality effect types, derived from the technical innovation and research behind Korg’s Digital Recorders, TRITON synthesizers, and effects processors. Equipped with 128 immediately useful and editable effect programs, the MDE-X v1.2 can be used sound design, recording, mixdown sessions – even live performance!


    Viewed 9283 By Music Producers & DJ´s.


  • KORG M1 v2.3.2 AU VSTi STANDALONE macOS-MORiA

    KORG M1 v2.3.2 macOS

    MORiA | 25 May 2022 | 78 MB

    ..:: AU, VSTi, STANDALONE :::.

    Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully magesy complete program and combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real presence, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1. The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony.


    Viewed 53185 By Music Producers & DJ´s.


  • KORG Polysix v2.3.1 AU STANDALONE VSTi macOS-MORiA

    KORG Polysix v2.3.1 MAC

    MORiA | 25 May 2022 | 14.6 MB

    ..:: AU, VSTi, STANDALONE :::.

    The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day. In addition to faithfully replicating the sound of the original, the Polysix software synthesizer also adds enhancements such as 32-voice polyphony (max), up to 16-voice unison (with detune/ spread function), flexible external modulation settings, MIDI clock synchronization, and a spread function that adjusts the spaciousness of the effects — functionality that brings this classic synthesizer up to date for modern music production. The interface provides reorganized knobs and switches that resurrect the Polysix in a contemporary “rack-mountable” form for even more intuitive operation and sound-creating versatility


    Viewed 15810 By Music Producers & DJ´s.


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