Stripsound Comedy & Romance
Team MONO | 05.09.2008 | 500 MB
Laugh and swoon to a range of brilliantly composed orchestral tracks by the legendary Ray Davies covering the classic romance and comedy genres.
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Laugh and swoon to a range of brilliantly composed orchestral tracks by the legendary Ray Davies covering the classic romance and comedy genres.
In this video tutorial series designed for the new or beginner synth sound designer, synth pro Josh Bess shows you how to make 10 useful synth sounds using the Novation Circuit Mono Station. You can use the info on any real or virtual synthesizer, and you get both quick and dirty tutorials for those who want just the steps to take to make the sounds, as well as versions that are more detailed and include tips and tricks! Josh begins by welcoming you and goes over what the video series covers, and then hits the ground running with the first synth sound, the Saw Pluck. You’ll then see how to make a Acid Bass, Detuned Saw Pluck, Dark Bass Pluck, Smooth Sub Bass, Video Game Blip, Wobble Bass, Deep Drone Bass, Detuned Pitch Drop, and Smooth Saw Lead, all from scratch.
In this video tutorial series, Novation pro delivers a collection of tutorials designed for newcomers to the Novation Circuit Mono Station. Watch and see how to get going and make some music fast, with this awesome mono synth and sequencer! Josh starts by welcoming you and talks about what will be covered in the video series, and then jumps right in with all the important basics, such as powering on and connecting audio, choosing patches and playing notes, using note and scale modes, building a note sequence, and how to utilize the velocity, gate, and glide features. Next, Josh breaks down how to use and customize the Circuit Mono Station pattern settings, the steps to mix oscillators, use paraphonic mode for 2 note chords, and how to create two different sequences with each oscillator. You’ll also explore the sub and noise oscillator sections, using the ring modulator, and sculpting your synth tones by utilizing the powerful filter section.
In a world dominated by stereo listening environments, headphones, two monitor sets, car stereos etc., there still is great importance in getting your mixes to sound good in both Mono and Stereo. If you’re an EDM artist and want your tracks played out live, you will need to have a good mono mix because that’s how those live systems are set up for playback. In this course Echo Sound Works will teach you how to create a mix that sounds good in mono and also how to improve the quality of your stereo mixes using mono referencing. The course is broken up into 8 individual sections covering everything you need to know about monophonic vs stereophonic sounds.
This is take two on the Native Instruments Pro-53 Fxb & Fxp pack. After rechecking the old pack i converted from the p5a banks in 2012 i found some of the p5a banks and p5p presets where not converted right. Some banks having the same named presets inside where lost and other presets where skiped at the time. This meens that about 1000 presets where not added to the frist pack.
Monopolyphonix was in many ways a celebration of another successful resurrection of an old classic saved from the grave. Much like the Minimoog, ARP Omni-2 and Novachord left their sonic fingerprints on S-VX and The Orbitone Collection, a recently restored Farfisa Syntorchestra manufactured in 1974, gave its all to the creation of Monopolyphonix… Why the name? Well the Syntorchestra comes from a strange era quite early on in the history of affordable portable synthesizers where manufacturers were quite experimental and tended to do their own thing. This was especially the case with early polyphonics. The net result is that weird and wacky user interfaces and synth architectures were quite the norm in those days!