Kaivo v1.9.x WiN MAC

Team R2R | 24 December 2024 | WiN: 79.4MB | MAC: 110.3MB

Kaivo is a semi-modular software synthesizer that combines two powerful ways of making sound: granular synthesis and physical modeling. Kaivo brings some of the latest academic research in physical modeling to a patchable package for the first time. Mathematically speaking, its finite difference time domain (FDTD) models let the player reach inside the instrument and affect the internal vibrations at any point. This allows for a fine degree of realistic detail, like the bridge rattles on a “gut string” model, for example. And while Kaivo is capable of making very realistic sounds, it is also designed to apply this subtlety to abstract creations.

Low End Modular KONTAKT

OSHiE | 27 May 2024 | 7.32 GB

Hybrid modular synth sounds

The sounds of premium vintage and modern modular systems pushed to the brink of their lowest pitches. Morph between four instrument layers for endless possibilities. Explore deep drones, pulsing pads, seismic basses, and special effects, created from over 200 sound sources.

Crosstalk Modular KONTAKT 8

Team ViP | 21 May 2025 | 11.16GB

Modular sounds redefined

Crosstalk Modular doesn’t just do the wiring for you. It combines modular samples with the unique layering and processing options of the Crosstalk engine. Tons of modules from boutique gear builders and recording partly in 96 kHz. These samples were then transformed into an innovative instrument with features you won’t find anywhere else, like real-time morphing and creative sound pumping (aka crosstalking) for all four sound layers individually. Dive into a blend of vintage and modern processing powers and create sounds you’ve never heard before!

Modular Moods KONTAKT

Team ViP | 01 February 2025 | 2.72GB

Modular Moods is a carefully sampled library that brings the world of modular synthesis into the film scoring realm, creating different emotional landscapes that are easy to use for any modern day composer. Modular synths allows composers to design sonic atmospheres that create random movement within programmed musical parameters in each patch, this is also known as Generative Music. Modular Mood’s main feature involves 24 of these patches, separated in stems and pitch adjustable within an octave, Sci-fi to magical ambiences, they are guaranteed to complement any cue. As a bonus, 24 Modular Sequences (short loops), 20 Pads and 23 Plucked Synth instruments are included to further expand the Modular Synth palette.

Modular Chaos Engine 4 KONTAKT

P2P | 21 May 2017 | 195 MB

A kit of lovely, dusty, binaurally recorded acoustic drum samples and slightly prepared steel drums….a kind of Tom Waits percussion machine featuring drums in all shapes and sizes. There are huge flappy marching band bass drums, ripped and rattly snares and kicks, frame drums, congas, bongos, toms, hi-hats, cymbals, boxes, broken metal shelving…

Modular Chaos Engine v1.1 Found KONTAKT

SYNTHiC4TE | 12 September 2015 | 162 MB

A chaotic drum machine for a chaotic world.

For the past 10 years or so I’ve always carried some kind of portable recording device and a pair of OKM in ear microphones around with me and kept a kind of aural diary of great sounding things and great sounding places. I’ve made literally gazillions of recordings in places all over this side of the world, and like most diaries these recordings have mainly been sitting in dark cupboards waiting for someone to rediscover them.. The Modular Chaos Engine is the perfect repository for 785 of them. I’ve selected the most usefully percussive, clangy, bangy, thumpy, boomy, itchy, scratchy, thwacky and whacky, added a really powerful sequencing engine and made a “found sound” drum machine.

Modular Chaos Engine v2.1 KONTAKT

P2P | 13 August 2014 | 277 MB

A chaotic drum machine for a chaotic world

Part two of the Modular Chaos Engine and I’m very excited to introduce my first fully electronic instrument. It’s probably fairly obvious by the blueness and the title that I’ve exploited the strange and rather wonderful qualities of Dave Smiths’ criminally underated analog/digital masterpiece the Evolver. I LOVE this underdog synth, mainly because it has so much wonky personality and a wonderful, slightly mad architecture that can produce some really great sounds….usually of a highly boisterous nature. So, for this Chaos Engine there are up to 127 different sounds/articulations per key which are very loosely mapped across the keys from from low kick drum type sounds through snappy snare type sounds up to more clicky, rattly hats and then the mildly melodic sounds up near the top end of the key range.