DJ Producer Series Vol.3 Scratching And Mixing

Team AG | 03 Dec 2004 | 3.68 GB

Richard “Spyda” Bonnin shows the equipment and techniques to put you on top of production and the DJ scene. Interviews with Robert Moog, Herbie Hancock, Wally Callerio, and DJ Jam (Dr. Dre). This video tutorial explores a new array of sonic weaponry, including digital scratching, FX processors, sampling, and many more of the hot features available on the newest generation of CD players for DJs. You’ll also get the hot tips and tricks used by today’s top DJs via informative demos by DJ Skilz, DJ Davey Dave, and 1 Phat DJ that will have you mixing like a pro in no time. A must for mobile DJs and nightclub jocks who want to stay on the cutting edge of digital technology.

Mixing Rap Vocals 2 TUTORiAL

P2P | 2014 | 4.87 GB

Most advanced mixing techniques on the table with vocal mixing walkthroughs ft. Snoop, Murs, Juicy J, Arrested Development, plus workshops on multiband compression, exciters and how to mix unison doubles, ad-libs and choruses.

Mixing Hip Hop Beats TUTORiAL

P2P | 2014 | 3.6 GB

Levels, compression, EQ and everything in between, mix engineer shows you how to get the best possible sound out of your mixes and productions.

Mixing Rap Vocals TUTORiAL

P2P | 2013 | 2.81 GB

Mixing Rap Vocals. This is the same process I’ve used on many famous rappers, including Gift of Gab from Blackalicious, Speech from Arrested Development, Joell Ortiz, MURS, Dizzee Rascal, Wordsworth, Gorilla Zoe, and the list goes on. I receive vocals that have been tracked in million dollar studios as well as make-shift home studios. The specifics of how to treat each rap vocal changes quite a bit. But the approach to the process is essentially the same. By following this approach and taking the time to master each step for a particular vocal recording, you will come out with stellar sounding rap vocal mixes.

Mixing Urban Pop TUTORiAL

P2P | 2009 | MOV | 988 MB

If you’re looking to learn how to mix urban pop, look no further. Australian mix master Michael Costa is going to show you the tricks of the trade. Michael starts with a raw mix of “Doin’ Ma Thang” by upcoming super artist Tessa Cattanach, and goes through it all ending with a professional sounding radio mix that gets your head nodding. See how Michael sets up his session, uses templates, creates routing, uses EQ, compression and effects to create a 3D space, banging drums, fat bass, “in your face” vocals and more. You’ll see both mistakes and revelations happen as they occur, in this real-world mix session. After watching you’ll have knowledge that usually takes years to gain through much trial and error, and your mixes will greatly improve by applying Michaels techniques and tricks to your productions. The info is shown in Pro Tools 8, but is all about mixing, so it can be applied to any DAW. Get your mix groove going, check out “Mixing Urban Pop” today.

101 Mixing Tricks Module 5 TUTORiAL

P2P | 22-08-2015 | 473 MB

Are Your Mixes Dull And Boring?

Do Your Mixes Lack That “Pro” Sound? Then my 101 Mixing Tricks coaching program is just the thing to help you take your mixes to the next level. It’s important to know the fundamentals of mixing, but sometimes you just need to pull out a sonic trick or two to make that mix just jump out of the speakers. That’s why I created the 101 Mixing Tricks video coaching program. In it you’ll find 101 big studio mixing tricks that the A-list pros use that not many people know about, but can be easily applied to any small or home studio mixing situation to make your mixes hold up against what’s coming from the major labels.

Power Mixing Course TUTORiAL

P2P | 24-07-2015 | 5.4 GB

The Power Mixing Course is specifically designed to increase the speed and quality of your mixing work. This is achieved by teaching you the mixing workflows of master mix engineers throughout the decades by featuring emulations of the gear they used. If you have grown up mixing entirely in DAWs, you have never been able to experience the “Big Console” era of mixing. In this era, efficient workflows were necessary to complete mixes. There was no “we can finish the mix next week” because there was no way to instantly restore a mix. The result of this “limitation” was great sounding mixes finished in a very short periods of time.