Finisher is a brand-new type of effect plug-in by UJAM. It is designed to combine the power of an entire effect rack with the ease-of-use and instant gratification of a single plug-in. Finisher is your musical companion that will keep inspiring you and protects you from recording or mixing a bland and boring track ever again.
If you’re having trouble getting your Logic Pro mixes to translate well to other playback systems, you’re not alone. In this Logic Pro tutorial, Logic Pro expert Larry Holcombe will teach you how to overcome this issue with the new Mastering Assistant plugin for Logic Pro. From Auto EQ to stereo spread, dynamics, and more, it’s all here, and your mixes will seriously thank you! These Logic Pro videos are designed for new Logic Pro Mastering Assistant users. Larry starts by introducing the plugin, guiding you through the interface’s layout, and briefly explaining its use in practical mastering applications. Then it’s down to business, starting with the Character control, which gives you access to different audio colors and vibes. This is followed by the Auto and Custom EQ controls and a demonstration on how they can balance your frequency content properly.
SYSTEM 6000 NATIVE BUNDLE includes five award-winning plug-ins known from the legendary TC Electronic System 6000, Powercore and Avid Pro Tools* platforms. Some of them for the first time available for DAW based productions. The bundle consists of: MD3 NATIVE, MD4 HD NATIVE, VSS3 NATIVE, VSS4 HD NATIVE and NONLIN2 NATIVE The professional production and mastering algorithms integrate smoothly with all serious music and film editing, mix and mastering applications.
I’m Jaren, a multi-award nominated, seasoned recording artist and songwriter with over two decades of music business experience in the bag. I’ve mastered the art of singing vocal licks, and now, I’m here to guide you on a journey to own those vocal runs and sprinkle some stardust on your tunes!
The magic of mastering can’t be overstated. Done right, it’s that inexplicable alchemy that transforms a song from rough to broadcast-ready without infringing the slightest on the integrity or dynamics of its original mix. No easy feat and by all means an art and a craft in itself. That’s why this EZmix pack is a great starting point. Organized in three different categories, each with a distinct end goal or workflow in mind, this pack will make it easy to find what you are looking for, creating your own mastering chains or fixing a potential issue that you’ve singled out as a problem in your mix. If you’re looking to make sure your mixes sound as good as possible to anyone and anywhere, this is your new secret recipe. Launch your EZmix 2 and get started mastering faster and compressing less – but all with better success!
Redline Monitor is a listening, mixing, and mastering tool that makes your headphones experience more natural: as if the sound came from a pair of external speakers. It replaces the extreme stereo separation that is characteristic for headphones by the detailed stereo image of near-field monitor speakers without any detrimental effect on the audio. Basically it is a so called ‘crossfeed plugin’ with a few nifty extra’s, that add extra spatiality while keeping the sound as clean as possible. It combines filtering, frequency-dependent delaying, mid/side processing, and room simulation to create a convincing acoustic soundstage that allows you to properly localize sound sources. It also adjusts the relative levels of panned sources as they appear on speakers, and moves the soundstage from an indeterminate location inside your head (with headphones) towards a clearly defined location in front of you.
Polysquasher is a mastering compressor AAX, AU and VST plugin for professional sound and music production applications. Polysquasher was designed with a main goal: to be transparent. Transparent compression action is a cornerstone for any mastering compressor. Transparency of audio signal processing is necessary to preserve all existing elements in the mix, while compression itself is necessary to make the mix sound uniform to other mixes (tracks) and to make it sound more solid and “glued”. Polysquasher achieves its goal by using a unique compression algorithm which requires a small number of parameters – basically threshold and ratio only – making this compressor a joy to use. More advanced settings are hidden in the “compressor mode editor” panel where you can create your own compressor modes that can be easily recalled later.
