Texture is a sound-layering effect plugin that listens to the volume of incoming audio, generating a new sound that matches the dynamics of your source. Blend new layers into a sound—or replace it entirely—while matching the shape and rhythm of the original audio. Texture has a range of applications, from subtle enhancements “in the mix” to radical transformations and sound design.
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
Additionally, the introduction of PADs with versatile modes like Loop Rolls, Slicer, and Pitch Play offers endless possibilities for live remixing and performance. And for those seeking the ultimate in hardware integration, DEX 4 now fully supports the RANE Four controller, including its 11 displays, ensuring you have all the information you need right at your fingertips. Elastique technology for time-stretching and pitch-shifting, allowing for more precise and high-quality sound manipulation. Whether you’re exploring the new SLIP and QUANTIZE modes for innovative beat juggling or crafting your own loops with fully manual controls, DEX 4 provides the tools you need to push your mix to new heights.
SPL’s Machine Head is the finest digital tape saturator ever built. With the tone of tape becoming so popular in pro production circles, this discontinued hardware is in demand. Many plugin developers have tried and failed to capture the magic of its code, until now. Add those smooth harmonics to any signal minus the drawbacks of tape: no crosstalk, no noise floor, no fluctuations in motor speed. Get the sonic richness of tape, in a clean, controlled digital package.
ANA 2.5 isn’t just another VST synth; it’s the virtual software synthesizer that packs a punch. With this soft synth, you get all the cool sounds of a classic virtual analog synth without the hassle of old-school gear. It’s easy to use, whether you’re just starting out or are a seasoned pro. As a synth program, it’s crammed with killer presets to get you going and officially has a rep for being one of the best synth VSTs out there being used by many HUGE artists and producers. Want to lay down some tracks without breaking the bank or your brain? ANA 2.5 is your ticket to that big studio sound.
Meet your new drum companion OneShot! More than a drum sampler, this is a percussive workstation specifically designed for one-shots (single strike samples). Every detail in the workflow design and sound quality has been given a lot of care and consideration, making OneShot a percussion powerhouse that is both fun to play, excellent sounding and stuffed with purposeful features. Following the tracks of percussion innovations like Slammer, Borsta, Ting and Skaka, OneShot is Klevgrand’s biggest and most capable drum instrument yet. Packed with lots of handy features to give any drums an organic feel, like humanize settings, velocity layering and round robin. Plus, it comes with more features like choking, filters, envelopes, an extensive effects system, and multi-out routing. But don’t worry, even with all these features, OneShot is still super-easy to use, flexible, and intuitive, offering an extensive hub for all your drumming needs, while staying true to the recognizable spirit and quick workflow associated with Klevgrand.
FRMS is a versatile granular synthesizer that combines granular synthesis with FM synthesis using a flexible layering system. From heavily-dense ambient drones, to glitchy mechanical beings, turn simple sounds into complex evolving soundscapes, with up to four layers of synthesis in any combination.
