MODO BASS v1.5.2 MAC

Team MORiA | 07 August 2021 | 184.78 MB

..:: AU/VSTi/VST3/64Bit/STANDALONE ::..

MODO BASS® is the first physically modeled bass virtual instrument that gives you an unprecedented realistic performance for your bass tracks. As a producer, you want the best possible bass sound you can get… you want realism, credibility and authenticity that delivers the most accurate and inspiring performance. Sometimes you just can’t hire the right bass player, and some virtual instruments out there can leave you flat and uninspired. Enter MODO BASS — the industry’s first true physically modeled instrument from the leader in analog modeling technology. 8 years in the making and developed in collaboration with one of Europe’s oldest universities, MODO BASS is a completely new breed of instrument that delivers the best of both worlds: the realism and sound of an instrument being played by a master musician and the convenience of a plug-in virtual instrument.

PluginDoctor v1.6.2 MAC

SPTNDC | October 14 2021 | 2.23 MB

..:: STANDALONE, 32Bit, 64Bit ::..

Plugindoctor fills a longstanding gap in the market: a cross-platform and cross-bitformat plugin analyzer for VST and AU plugins. Whether you are a plugin developer yourself who wants to thoroughly test the audio quality of your latest and greatest product, or a power user who wants to understand in more detail what exactly a specific plugin is doing to your precious audio material, Plugindoctor will help you find out!

Neutron 3 Advanced v3.7.0 MAC

SPTNDC | 13 October 2021 | 807.1 MB

AU/VST/VST3

The modern way to mix

From the makers of Ozone and RX, Neutron 3 will bring your mixes into the 21st century. Work faster than ever with better performance, new interactive visualizations, and Mix Assistant, which automatically sets levels across your session.

Motion FX v1.0.3 macOS

SPTNDC | October 11 2021 | 10.6 MB

Creative Effects Sound Design

Motion FX offers a new and creative workflow to effects sound design. Choose between 11 different effects and dynamically modulate it thanks to a highly versatile motion sequencer. Load as many instances of Motion FX as you want and unveil new sonic territories. Motion FX contains 11 different effects which you can modulate precisely thanks to an intuitive and comprehensive sequencer.

IIEQ Pro v3.6.8 macOS

SPTNDC| 10 October 2021 | 9.1 MB

PLATFORM: MAC64 – AU/VST/VST3

IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.

KORG MS-20 v2.2.1 macOS

Team R2R | 2021.10.09 | 29.43 MB

Originally part of the first Korg Legacy Collection and later the Korg Legacy Collection: Analog Edition 2007; the MS-20 is now available individually. As the original manufacturer, Korg is uniquely qualified to recreate our vintage analog synthesizers as software instruments. Magesy Korg’s proprietary Component Modeling Technology (CMT) recreates the original circuit path and analog signal flow, to provide results that are completely faithful to the original hardware. The MS-20 is designed to run as a stand-alone program; or as a VST, AU or RTAS Plug-in, making it compatible with nearly any DAW software studio package. The MS-20 software synthesizer provides a complete simulation of its legendary original. In addition, it gives you modern advantages such as up to 32 voices of polyphony and up to 16-voice unison (with detune/spread function). Flexible external modulation settings and MIDI clock synchronization have also been added, giving you even greater creative potential.

MagicDeathEyeStereo v1.1.1 MAC

SPTNDC | October 9 2021 | 13.4 MB

PLATFORM: MAC32/64 – AU/VST/VST3

The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it. The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous.”