MuteMyMic v1.10 MAC OSX RETAiL

TEAM CORE | 2015/03/05 | 859,57 KB

Have you ever wanted to mute your microphone exactly the same way as Output Volume? Now it is possible. MuteMyMic provides you with easy way to control Input Volume from the status bar or via keyboard shortcuts. Application works in a background and allows you to control the Input Volume with a single key or mouse click while at the same time you can enjoy your favorite applications that require your mic. Now, you can adjust volume of your Internet phone calls right from the keyboard shortcuts. Since version 1.7 MuteMyMic is integrated with Growl. It will notify you each time input volume was changed by other applications. There is a new feature – “force mute”. Whenever MuteMyMic determines that microphone was unmuted it will mute it again (this feature can be enabled/disable via Preferences panel).

BIAS Desktop v1.1.3.495 MAC OSX

TEAM HEXWARS | 04.03.2015 | 136.4 MB

AU / VST / RTAS / AAX

BIAS Desktop is the world’s most accurate, thorough and versatile guitar-amp modeler and designer. Its advanced amp-modeling engine captures the warmth and feel of real tube amps in every aspect, component by component. To start, the plug-in includes 36 authentic models of the most sought-after vintage and modern amps in rock ‘n’ roll history. Easily modify amp models by swapping out the tubes, preamp, transformer, tone stacks, cab and mic with simple mouse clicks to create your own custom amps and unique signature sound.

ABL Pro v1.2.2.0 AU UB VST VSTi MAC OSX

TEAM R2R | 2015.02.21 | 8.26 MB

What would a 303 on steroids be like? We answered that question using a mock-up by our friend AlphaDog and adding some more stuff like patch cables and polyphony, and it turned out to be a very different beast indeed. While ABL Pro has it’s roots in sequenced synth sounds it also excels at pads and leads and is something of a hidden gem for many producers. We guarantee you nothing else sounds quite like ABL Pro. The filter is based in the 202 filter which sports self oscillating resonance, accurate tuning and a great range (from sub bass to above upper hearing limit). This filter can howl!

AGL v2.0.0 AU VST RTAS MAC OSX

P2P | 19.02.2015 | 3.97 GB

Ample Guitar L aim to bring the Alhambra Luthier Classic Guitar sound to your studio.

Amarra Symphony v3.0.3 MAC OSX

P2P | 2015.02.14 | 70,93 MB

Amarra Symphony is the premier audiophile Macintosh computer music player; it reveals the finest detail and nuance in your music. Amarra Symphony 3.0 represents a significant upgrade with added support for DSD playback and realtime sample rate conversion. Combined, these features bring a consistent user experience regardless of your audio interface.  Amarra Symphony 3.0 includes our mastering quality parametric EQ with presets optimized for high-quality headphone manufacturers such Audeze, KEF, Grado, Nuforce and more.

Eos v1.1.2 AU VST RETAiL MAC OSX

SYNTHiC4TE | Feb 02 2015 | 1.2 MB

Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.

CDSoundMaster VTM-M2 VST v1.2b MAC OSX

HEXWARS | 31.01.2015 | 49.2 MB

The VTM-M2 is the result of 5+ years of research and design. It stands for “Vintage Tape Machine” and we be believe that it defines a new level of authenticity in plug-in technology. It is based upon an original concept developed by Michael Angel of CDSoundMaster called “Virtual Interactive Signal Chain Technology”, and has been brilliantly executed in code by Michael Heiler. This unique cooperation has led to this special line of products developed for CDSoundMaster by “MX2” or ‘Michael Times Two’. The VTM-M2 reproduces the unique character of reel to reel tape machines for use on all aspects of recording, mixing, and mastering. It can be used on every track of a multi-track project, on a single instance of a final mix or master, on group buss duties, and any combination of the above. It has two completely independent operating modes, calibrated for Low and High calibrated tape settings. This provides a full range of use from subtle, clean response to higher gain, deeper harmonic distortion and compression, giving the user every desired response of a real tape machine without alteration to the source’s frequency range. It contains advanced multiple operations yet requires very few parameters for operation. It uses minimal system resources and is ideal for multiple instances and use on every track in dense multi-track session projects