dBpowerAMP WiN MAC

Team DVT | 26 May 2025 | WiN: 73.62MB | MAC: 31.66MB

Audio conversion perfected, effortlessly convert to mp3, FLAC, Apple lossless and more. dBpoweramp Music Converter™ has become the standard tool for audio conversions, over 30 million users world trust their converting to dBpoweramp:… dBpoweramp contains a multitude of audio tools in one: CD Ripper, Music Converter, ID Tag Editor and Windows audio shell enhancements. Preloaded with mp3 & Wave codecs, practically every audio codec can be installed from [Codec Central], as well as Utility Codecs (perform actions on audio files). One of the greatest compliments we receive is that dBpoweramp tends to be the first program people install onto a new PC.

Melodyne Studio v5.4.2 MAC

MORiA | 10 December 2024 | 97 MB

PLATFORM: STANDALONE/AU/VST3

New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.

.:TAL-Dub-X v2.2.1:.

Team R2R | 04 November 2024 | 34.6MB

TAL-Dub-X is a remake of our popular original freeware TAL-Dub plug-in with a lot of additional features and AAX, OSX 64bit support. TAL-Dub-X is no emulation of a specific hardware delay effect and it has its own special sound. Don’t expect one of the very clean digital delays. An important part of the delay is a special saturation stage and a high quality low pass filter with resonance setting. This makes the delay suitable for endless delay effects. It’s possible to use MIDI automation to control the parameters.

SQ80 V v1.6.3 macOS

MORiA | 05 December 2024 | 349MB

Where digital dreams are made

Digital synthesizers are often known for sounds that are razor-sharp, crystal-clear, and precise – SQ80 V has other ideas. Explore a detailed software resurrection of a digital anti-hero that’s out to break the rules. Capture the grit, character, and charming imperfection favored by John Carpenter, Adamski, Mr Bungle, and countless others with an instrument that’s simultaneously complex and accessible, focused and intricate, edgy and dream-like – and unlike anything you’ve heard before.

LVL 01 v1.5.x WiN MAC

Team R2R | 18 September 2024 | WiN: 39MB | MAC: 185.1MB

The LVL-01 is an A.I./M.L.-based audio compressor with a unique Thick, Punchy, and Dirty/Crunchy sound. The LVL-01 is the world’s first real-time Machine Learning / A.I. based audio compressor plugin. LVL-01– is an emulation of a customized analog gates sta-level compressor.

.::U-He Diva v1.4.8::.

Team R2R | 09 September 2024 | 163.8 MB

( AU/VST2i/VST3i/CLAP/AAX )

DIVA – Dinosaur Impersonating Virtual Analogue Synthesizer. The oscillators, filters and envelopes closely model components found in some of the great monophonic and polyphonic synthesizers of yesteryear. Modules can be mixed and matched so you can build hybrids, but what sets DIVA apart is the sheer authenticity of the analogue sound. This comes at the cost of quite a high CPU-hit, but we think it was worth it: Diva is the first native software synth that applies methods from industrial circuit simulators (e.g. PSpice) in realtime. The behaviour of zero-delay-feedback filters when pushed to the limit clearly demonstrates the advantages of this groundbreaking approach.

KORG M1 v2.4.1 WiN MAC

Team R2R | 24 July 2023 | WiN: 74.5 MB | MAC: 79.6 MB

PLATFORM : WiN-MAC/64 – AU/STANDALONE/VSTi

Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully magesy complete program and combination sounds.  As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real presence, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1. The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony.