Low End Elements is a small bespoke library featuring 40 sub-heavy oneshots ready to be added to impacts, braams and general trailer SFX. Pitch them up or down, stretch them out, add effects or simply use them as they are, these deep hits will prove to be a handy addition to your sonic toolkit.
This is a sample pack of royalty-free bass sounds I made out of recordings I took at home. It’s a combination of bass one-shots and multisample basses in a wide range of styles. I used wavetable synthesis and a variety of effects to thicken up the original recordings and give them the ample low end they deserve…
Basslines, simply put, are a vital cornerstone of Hip Hop music. Keeping that in mind, delivers 41 riffs that feel like they came from the crates. Their in-house bassist, Michael Balsie, brings some deep tones with his Fender Precision and Stagg Upright, giving you clearance-free grooves to build your beats around. Whether you chop them up or use them as loops, The Low End Theory Volume 1 has a place in your production.
2+ hour workshop (six individual lessons) on mixing low end, including monitoring, kick, bass, kick + bass, stereo buss techniques and more.
All pad variations were designed with the legendary Schmidt Synthesizer – an expensive 8 voices real analog beast. All processed versions were designed with several hardware devices like Bricasti, Lexicon 224, Vertigo Sound EQ, Eventide H3000 and other devices to create “deepness”.
“Deep Down Low”, a new fantastic collection of Trap Music. You will find in this pack 5 full Construction kits, Sample & Loops, Midi, Fx and Oneshots. Mix your favourite synths and samplers with the sounds contained in the pack! Each file is named with Tempo and Key Labeled. Deep Down Low is 100% Royalty-Free. Enjoy!
CineWinds Monster Low Winds is a super beefy low woodwind ensemble of bassoons, contrabassoons, bass clarinets and contrabass clarinets recorded at the Sony MGM scoring stage in Los Angeles California. We’re making woodwinds cool again. As with every CineSymphony product, Monster Low Winds features the standard Decca Tree – Wide – Surround microphone arrays typical of feature film scoring. In addition, we set up a few close micrphone pairs. Tim’s Mix provides the best combination of all microphone arrays. The CLOSE mix provides the best combination of the close pairs. It’s difficult to achieve a traditionally close sound with 10 players spread across the center of the MGM scoring stage. It’s a close perspective, but you still hear a bit of the room. The ROOM mix has lots of beef and is made of the Decca Tree – Wide combination. The SURROUND mix is the surround pair. The MIXER tab allows for 7 mix presets and an 8th that is user-programmable. Additionally, there is a basic EQ and reverb available.
