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Download KONTAKT | MaGeSY ®™⭐
🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

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    YAMAHA MOTIF XF for KONTAKT 5.2.1 PROPER

    docam28 | 12.07.2014 | 6 DVD | 26 GB

    WITH SONS OF READY TO BE USED ALREADY IN NKI FORMAT (KONTAKT)

    With the Yamaha MOTIF XS, inspiration is just a key press away. High-quality sounds to inspire you, intelligent arpeggiators to fuel your creativity, recording features to capture every idea, built-in sampling to create full audio/MIDI arrangements, rhythmic Patterns to compose with, studio-style mixing controls and versatile effect processing to master your final productions.With all this and more, the MOTIF XS will soon be your favorite ‘go-to’ instrument – whether you’re composing at home, recording in the studio, or playing live. It’s got absolutely everything you need to make professional quality music.Close your eyes, play the gorgeous sounds and rhythms of the MOTIF XS – and feel the inspiration.


    Viewed 25367 By Music Producers & DJ´s.


  • Elektrik Kalimba KONTAKT
    July 16th, 2014 ⚡
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    Elektrik Kalimba KONTAKT

    TEAM MAGNETRiXX | 16 March 2013 | 27.9 MB

    Elektrik Kalimba is a funky fusion of African and American, designed to sound like the kind of electric piano a Zulu teenager might hotrod up when he’d had enough of tribal rain dances and wanted to get his groove on. It started life as a 3-octave electric kalimba – or mbira, or karimba, or marimba; basically, an African folk thumb piano. Our kalimba was electric from the start, in that it was fitted with a pickup for amplification; but really, it was that row of thumb-plucked tines that set us thinking. Tines; electric pickups; this thing wants to be a Rhodes, right?


    Viewed 5753 By Music Producers & DJ´s.


  • Bureu Organ KONTAKT
    July 15th, 2014 ⚡
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    Bureu Organ KONTAKT

    FREE | 15/07/2014 | 1.19 GB

    Originally sampled by professional organist Lars Palo and released under a Creative Commons liscense, this a 40 stop organ has been converted to Kontakt 5 by bigcat Instruments. Thanks to scripting by Matt McKay, this organ is the most extensive instrument we have ever released. It features over 100 Reverbs, Unison X, Stereo Enhancement, a 4 band Solid EQ and other effects like Chorus, Phaser and Surround Panning. According to John’s Organ Works, a 40 stop organ has 1,099,511,627,780 combinations, toss in the ability to change almost everything about this organ’s sound, then multiply in over 100 reverbs and you have the ability to customize your sound to an astounding degree. There are two buttons / lights under the organ stops. The left one turns that stop on while the right one unloads that stop from memory, so if you are running low on memory you can easily unload samples you aren’t using.


    Viewed 5721 By Music Producers & DJ´s.

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  • Exposure KONTAKT
    July 15th, 2014 ⚡
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    Exposure KONTAKT

    FREE | 15/07/2014 | 331 MB

    Sound library EXPOSURE is dedicated to a memory of Tim Conrardy (1957 – 2009). Tim was a musician and excellent sound designer. He was interested also about astronomy. Sound library EXPOSURE is focused on this theme. It includes ambient pads, atmospheric sounds, melodic and ambient loops and some arpeggios in overall 52 presets. Most of the samples in EXPOSURE were made with Golden ASET.


    Viewed 4429 By Music Producers & DJ´s.

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    Bodhisphere Ableton Live KONTAKT

    P2P | 6 february 2011 | 408 MB

    A collection of twisted textures, warped soundscapes and mangled mayhem inspired by the celebrated Buddha Machine. Bodhisphere is a unique collection of twisted textures, warped soundscapes and mangled mayhem inspired by FM3’s celebrated Buddha Machine . Complete with 5 menus of high quality 24-bit audio, Bodhisphere joins Puremagnetik’s “spheres” collection as a lush resource for sound designers, film composers or anyone looking to get their hands on some seriously tricked out audio!. Formats included: Ableton Live, Kontakt, Logic, WAV.


    Viewed 8174 By Music Producers & DJ´s.


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    Puremagnetik Vespine MicroPack KONTAKT

    P2P | 13/07/2014 | KONTAKT | 429.40 MB

    Includes over 30 expertly tailored programs that fully capture the characteristic charm of the legendary EDP Wasp synthesizer.
    The Wasp is a quirky little synthesizer that, despite its toyish look, is quite capable of funky analog sounds. It really is black and yellow too, just like the insect it is named for. Probably its most distinguishing feature is the keyboard and its non-moving touch-sensitive keys. That`s right, the flat little keys are only sensitive to your electro-static touch. It`s a nifty technology for 1978, but in reality they are difficult and unreliable to play. The WASP is powered by two digital oscillators supported by analog filters, envelopes and controls. This makes it one of the earliest digital/analog hybrid synthesizers to come in such a compact package, and it sounds great! The Wasp offers flexible and traditional synthesis of cool bass, synth, and other classic monophonic sounds. Its designer, Chris Hugget, also designed the Oxford Synthesizer Company`s OSCar Synthesizer. The Wasp has been used by 808 State, Dave Holmes, Vince Clarke, WhiteHouse and Add N to (X).


    Viewed 7710 By Music Producers & DJ´s.


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    Puremagnetik Punchpak for KONTAKT

    Team NoGRP | 10-11-2007 | 36.10 MB

    A collection of sounds created from the 8 bit synthesizer chip on the classic Nintendo® (NES) gaming console. Put a classic Nintendo console in your sound production workstation. Puremagnetik sound designers have extracted this collection of blippy programs from the internal synthesizer of a classic NES. The NES board supported a total of five sound channels. These included two pulse waveduty cycle (12.5%, 25%, 50%, and 75%), with a volume control of sixteen levels, and hardware pitch bending supporting frequencies ranging from 54 Hz to 28 kHz. Additional channels included one fixed-volume triangle wave channel supporting frequencies from 27 Hz to 56 kHz, one sixteen-volume level white noise channel supporting two modes (by adjusting inputs on a linear feedback shift register) at sixteen pre-programmed frequencies, and one delta pulse-width modulation channel with six bits of range, using 1-bit delta encoding at sixteen preprogrammed sample rates from 4.2 kHz to 33.5 kHz, often resulting in poor sound quality. This final channel was also capable of playing standard pulse-code modulation (PCM) sound by writing individual 7-bit values at timed intervals.


    Viewed 9824 By Music Producers & DJ´s.


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