Plucked Upright KONTAKT

NanoBeat | 02/02/2015 | 845 MB

This is a deep sampled multi mic set of samples from the piano that is used as seminal “Felt Piano”.

LPC Electric Distortion Guitar KONTAKT

Team CoBaLT | 12.03.05 | D1: 4.47 GB/D2: 4.13 GB/D3: 3.64 GB/D4: 2.14 GB

Sensitive and powerful, the true sound of Gibson Les PaulTM Custom includes over 60 Giga-bytes, approx. 150,000 samples. Gibson’s Les Paul Custom is the most supported and loved electric guitar in the world. Its loved by so many professional guitarists spanning generations and genres. Over three months, we recorded the sounds of this excellent electric guitar played by a top guitarist using the latest Digidesign ProTools HD system.

Solo Tabla KONTAKT UPDATE

SYNTHiC4TE | Feb 03 2015 | 2.4 MB

“Solo Tabla” is playable multi-sampled Kontakt instrument with two mic positions and advance script .User can have control over each sound as well each drum. Solo Tabla can be tuned up as well tuned down with the micro tuning feature on each sound. Right Drum when tuned down sounds like “Pakhawaj” (Indian Traditional Percussion Instrument), we have also included pakhawaj style midi loops just to show the capability of instrument. Bonus Midi loops includes – Basic Indian traditional style of rhythms in 4/4 and various complex patterns in 15/4 , 11/4 , 7/4 , 10/4 etc. It also includes various Complex kaidas in 4/4 and Lagi -Laddi Patterns used in “Keharwa Rhythm Patterns”. User can improvise midi patterns and change sound via mic positions/tunings /panning and velocities to get amazing sound. Library also includes special effect controls like mute,doubler,heat and wide – along with basic effects and 7 impulse response reverb made specially for this library. Bonus Patches also come with “Solo Tabla” which are performances based in various creative style. “Solo Tabla” and “Tabla Loops” Library are recorded in same room with “Royer Ribbon Microphone” and other microphones.

Monster Cookie Tins v1.0 KONTAKT

ZiNC | 02-02-2015 | 205 MB

Lurking deep in the darkest closet of many a mom or grandma, waiting to strike at unwary guests, you will find them… cookie tins. These insidious purveyors of delicious treats come in many shapes, colors, and sizes. Some are festooned with holiday trappings, offering a false sense of well being and cheer. Others bear an image of their delicious contents, tempting those who stray too near. But what happens to these tins when their cookies are consumed, leaving them empty and seemingly useless? In most cases they simply accumulate, multiplying until they fill all available free space. But these dangerous cans are not merely nettlesome clutter. In the hands of a skilled percussionist (or, even in my hands) they become exotic musical instruments with delicate overtones and a unique, tinny sound. Come and explore the myriad mysteries and delights of Monster Cookie Tins!

Lo-Fi Wurly Lite KONTAKT

ZiNC | 03.02.2015 | 86.29 MB

Lo-Fi Wurly Lite has less resources than it’s full version, having one less velocity layer(3) and a much simpler GUI, resulting in a much lower cpu and memory usage, and a very little loss in the instrument’s dynamics. Of course, it’s price is lower too!

Squelch KONTAKT-ZiNC

ZiNC | 02-02-2015 | 1.35 GB

Full featured interactive radio instrument & sound effects library.

The Squelch sound library is a collection of 6 radios, walkie talkies, and CBs recorded both through the speakers and in some cases through the line outs. Each device served up a broad palette of static, beeps, clicks, squelches, and random idle chatter. The Kontakt instrument is a unique performable radio device designed for experimentation and discovery of the broad palette of sounds. It also includes a classic spring reverb unit with a custom interface created from a Pioneer SR202W. These authentic radio recordings are useful in sound design/film applications and can be twisted out into musical and sound design effects.

Cajon KONTAKT

NanoBeat | 30/01/2015 | 109 MB

Quite literally translated; “box”. Originating from Peru, this amazing instrument has infected latin music all over south America find it’s way back to Europe via Flamenco pioneers like Paco De Lucia and finally into use in popular music in the UK by it’s appeal as a great accompaniment for acoustic gigs and especially small promotional tours for rising stars. It sounds like a little drum-and-bass kit but it’s easy to transport! It is played by slapping the main body of the front panel for a “kick” style sound. The slapping the top edges to resonate some ingenious snares inside the box, to create a “snare” type sound.