New custom ambient electronic sounds kit Combi03-portal-(B)_Ambient-24-BIT Kontakt created with different sounds source sampled it with 4 split zone Multiple Velocity Layers and aftertouch response All sound and instrument in the demo mp3 are included in this kit
The Kalimba is a modernized version of the ancient African Mbira, also often called a thumb piano. It has a humble, melodious percussive plucking sound with a marimba-like warmth and tonal body. It is often used in conjunction with pianos and other tuned percussion instruments to add a sharper attack and playfulness to the sound. Our instruments were made of wood and coconut shell, with hammered steel tines suspended over their sound holes. The notes span about an octave and a half for the smaller of our two instruments and over two octaves for the larger kalimba. We recorded kalimbas in 3 different environments: Close and Dry in our studio; at medium distance in a small bright chamber; and in a large, long linear hall, at both close (1 meter) and far (15 meters) microphone distances. We call the space “The Bunker”, because that’s exactly what it really is – a deep underground World War 1-era artillery bunker. You can also shape the room decay time easily with integrated Release control, turning the massive hall into a tight room with the twist of a knob. Each tine was sampled with up to 11 dynamic velocity layers with up to 10X round-robin variations each to give these instruments a truly life-like sound and playability.
Following on from lesson 1 show you some more Kontakt scripting tips, tricks, and techniques. You should now be familiar with the basics of Kontakt scripting so in this lesson we’re going to get a little more advanced. Each lesson in this series is standalone (there is a little bit of overlap) you don’t need to have seen any of the others to be able to follow along, although as you progress from lesson one to four it is expected that your base level of knowledge regarding Kontakt scripting is higher. All the lessons are in the form of a practical exercise, taking you from start to finish in the creation of a Kontakt sample library. It is expected in this lesson that you understand the fundamentals of Kontakt scripting; you should be familiar with the basic callbacks and have a good grasp of variables, operators, control statements and loops. There are over four and half hours of video in this lesson and the instrument we will build in that time is a synthesiser sample library.
In this set of tutorial videos will introduce you to the wonderful world of Kontakt scripting. There are over four hours of video, during which you will becomes familiar with the basic principles of computer programming. Not only will you attain a good knowledge in Kontakt scripting but you’ll also gain an overview of general programming practices that can be applied to almost any programming language. This is the first lesson in a series of four and it is aimed at the absolute beginner. If you have never written a line of code before and the words variables, callbacks, data types, functions, and loops mean nothing to you, then this is the lesson for you. During the videos we will build a strong foundation in Kontakt scripting from which you will be able to progress easily to the other lessons in this series. Each lesson is standalone (there is a little bit of overlap) you don’t need to have seen any of the others to be able to follow along, although as you progress from lesson one to four it is expected that your base level of knowledge regarding Kontakt scripting is higher. All the lessons are in the form of a practical exercise, taking you from start to finish in the creation of a Kontakt sample library.
VET contains a powerful collection of meticulously sampled traditional acoustic instruments selected, features recordings of the World Champion Blue Devils drum & bugle corps hornline (brass), drumline (battery, and front ensemble (concert & world percussion) with contributions by arrangers Scott Johnson, John Meehan, and Jim Wunderlich, recorded by Leslie Ann Jones on the Scoring Stage at Skywalker Sound (a Lucasfilm Ltd. Company)…
The Hammer-On technique is usually utilized to bridge notes together… or for killer solos. For this library it is the sole articulation used and played on a stratocaster which has been cleanly recorded and multisampled. There are no loops here (save for one temposynced patch), each patch contains multisamples. As this sort of play style is normally not showcased, this instrument has a very unique sound and timbre not found anywhere else. Consisting of 13 patches, Hammer-On can sound soft and sweet, creepy, or up tension in an action scene. If you play in the higher ranges it can even sound ethnic, similar to a dulcimer. The GUI (or “unearthed verbamp 80”) has controls for EQ (bass, mid, hi), reverb (a huge hall convolution reverb), and attack. The attack and EQ knobs can drastically alter the sound and vibe of each patch. Hammer-On is NOT your average guitar library. Yes, it does contain multisampled electric guitar patches, but it is aimed more squarely at cinematic and video game scores than producing authentic rock ballads. Soft, sweet, deadly… those are the words that come to mind here.
Diamond is a very large full-orchestral package. Simply put, Diamond combines Ruby with Emerald, so it is like getting 2 complete orchestras in one package. This is complete Violas and Cellos from Strings Section of Diamond Symphony Orchestra.
