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  • Valve 4 Op KONTAKT-KRock
    March 24th, 2015 ⚡
    Categories:
    Audio Samples

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    Valve 4 Op KONTAKT

    Team KRock | June 21 2012 | 668.64 MB

    Valve 4 Op is a detailed sample library of sounds from the Yamaha TX81Z, developed for Native Instruments Kontakt 4 and higher. In total, there are 112 instruments made from 2,342 discrete samples. All samples were recorded in 24 bit at 44.1 kHz through an Inward Connections Vac Rac 4000 valve pre-amp. The TX81Z was originally manufactured in 1987 and was ubiquitous on House music tracks in the late ‘80s, early ‘90s. It was also used widely in Hip Hop and RnB. TX81Z Editing on the hardware was a tortuous process because of the small LCD – a bit like trying to decorate the inside of a house through a letter box. Because of this, many producers just used the presets, and many of those just used one preset – Lately Bass….


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  • Chimes Collection KONTAKT-SYNTHiC4TE
    March 23rd, 2015 ⚡
    Categories:
    Audio Samples

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    Chimes Collection KONTAKT

    SYNTHiC4TE | March 22 2015 | 63.7 MB

    Chimes Collection is essential when you need a great selection of up/down chime strokes in different speeds to place as audio in your DAW or trigger from your sampler.


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  • Post-Guitars KONTAKT-SYNTHiC4TE
    March 23rd, 2015 ⚡
    Categories:
    Audio Samples

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    Post-Guitars KONTAKT

    SYNTHiC4TE | March 22 2015 | 2.13 GB

    Post-Guitars is a collection of lush, warm and ambient guitar samples inspired by classic post-rock and ambient bands. The library provides fully playable guitars processed with a variety of reverb tails and soundscapes. You can control the balance between the dry guitar and the ambient tails with the two volume knobs on the interface. There are also 4 different effects sends for the dry signal to add further flexibility. The patches are split into 4 categories. The “Harmonics” and “Sustains” categories gives you long tails made with delays, reverb and granular effects, while the “Layred Sustains” and “Pads” layers the sound with synthesizers and/or other instruments like piano and bells


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  • Haunted Piano KONTAKT-DISCOVER
    March 22nd, 2015 ⚡
    Categories:
    Audio Samples

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    Haunted Piano KONTAKT

    DISCOVER | 21 MARCH 2015 | 132 MB

    The thing about toy pianos is this: they’re scary. Just like a playground at midnight with one empty swing moving; or a rocking horse in a dusty, forgotten nursery suddenly creaking against the floorboard; or the doll whose eyes follow you from across the room. Don’t turn your back on them. Haunted Piano is created from multiple samples of two toy pianos which between them span a full three octave range. We sampled them at midnight, by candlelight, when the moon was full (and at 24-bit, natch). Using three velocity layers and two round robin sets, we created an eminently playable and responsive virtual toy piano, which can sound just as clunky and naive as the originals. But then we went a bit further down the spookiness path, pushing the sound of the virtual instrument into sound-design territory. The samples can be reversed with the click of a button, to give eery builds and surprise tones, or to recall those “backwards masking” moments so favoured by demonic rock bands. They can also be force-transposed down by three octaves for groaning, bottom-of-the-sea, sepulchral noises and cavernous drones; or pitched up two octaves for tiny, sparkling fairy-bell sounds that glitter and gleam.


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  • Lorenzo KONTAKT-DISCOVER
    March 22nd, 2015 ⚡
    Categories:
    Audio Samples

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    Lorenzo KONTAKT

    DISCOVER | 22 MARCH 2015 | 178 MB

    We have a bit of a soft spot for reed organs. They can add an instant blanket of breathing, organic warmth to a track. Their tuning’s never perfectly stable. The reeds are never quite in sync. The fan noise adds a dash of high-frequency texture to each note. Overall, we can’t get enough of them. The Lorenzo is a compact four-octave reed organ. No chord accompaniment buttons; no tone controls; just keys and reeds and a fan breathing air over them. So it only does one thing, but the sound it makes it just fantastic. We were very taken by what a contrast this machine is to Sheltone – a much darker tonality with a very slight sense of crackle from the fan; almost a vinyl warmth. Where Sheltone is bright and clear and great for cutting through a mix, Lorenzo is richer-sounding and fuller.


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  • Korg 01/WFD PIANO SAMPLES SF2 KONTAKT
    March 22nd, 2015 ⚡
    Categories:
    Audio Samples

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    Korg 01/WFD PIANO SAMPLES

    P2P | 24 August 2011 | 243.46 MB

    Korg’s 01/W workstation synthesizer debuted in 1991 as the follow-up to the popular M1. The O1/W was the second chapter in Korg’s workstation legacy, which goes on to this day with the Triton and Oasys series. The O1/W was geared towards beginning home studio enthusiasts that wanted to take a step further into a more professional realm. Compared with the M1, the 01/W featured many enhancements including a more dynamic 16-track sequencer (the M1 only had 8-tracks), 254 real world sampled instruments to the M1’s 100, polyphony was doubled from 16 to 32 voices, and greater overall control.


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  • Logan KONTAKT-DISCOVER
    March 22nd, 2015 ⚡
    Categories:
    Audio Samples

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    Logan KONTAKT

    DISCOVER | 21 MARCH 2015 | 386 MB

    1977 was a great year. Star Wars came out in the cinemas. The Queen had her Silver Jubilee (where I got to dress up like a policeman in our school parade). And the Logan String Melody II was released. The String Melody had come out a few years earlier, in 72, but hadn’t been much of a hit. The mk II changed all that, earning itself a spot in the pantheon of All Time Greats. It looked stunning, with lavish 1970s real wood veneer and a delightfully responsive waterfall keyboard that made it a real player’s instrument. But that wasn’t why it was a hit. The reason is very simply to do with the sound it makes. It doesn’t sound much like a real string ensemble, but it sounds amazing regardless, and it’s graced a thousand hit tracks as a result. It’s thick, warm, rich, thoroughly analogue, and yet at the same time airy. It’s controllable, with drawbar-style faders to combine registrations, and attack and release controls too. And the five “Preset” buttons offer different settings of vibrato and chorus effect across all those synthesised strings, giving you huge, swirly, gorgeous acreages of pads that stretch on into the sunset… And we’ve sampled every last wonderful resonance of it for you!


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