Elements Guitar KONTAKT

DiSCOVER | 18 JANUARY 2016 | 283 MB

Elements Guitar is a modern tool for writing and augmenting compositions. The library is divided into 2 core folders: “Natural” and “Synthetic”. In “Natural” instead of usual articulations like sustains, mutes and slides we recorded different taps, clacks, glitches and “prepared” strings. Also we developed custom synthetic instruments using our clean recordings and collected them in “Synthetic” folder. The library contains 41 patch. Each of them features Flow Engine 2.1.

Synthesis Rhythm Fluids KONTAKT

DiSCOVER | 18 JANUARY 2016 | 297 MB

The library contains rhythmic loops designed with vast range of sound sources Pianos, Guitars, Strings, Woodwinds, found Percussions, analog and digital synthesizers. All recordings were carefully processed and edited to become a unique collection of atmospheric evolving pulses synced to your host BPM. All samples in Synthesis Rhythm Fluids are divided into 3 sound banks Low, Mid and High. Each sound bank also features Flow Engine 2.0 with pitch and velocity sequencers, pan and volume LFOs, 7 FXs and keyswitches system.

Havoc Guitars KONTAKT

SYNTHiC4TE | Jan 11 2016 | 924 MB

Havoc Guitars is a collection of cinematic inspired resynthesized, processed and prepared guitar recordings for cinematic scoring and epic trailer music. Standing 1.4 gigabytes, Havoc Guitars features include 40 sound patches ranging from chords,loops,melodic instruments and gritty prepared fx great for horror scoring. Its two channel engine offers independent controls for amplitude,filters,stereo width,semi(pitch),key range,delay and reverse.

Colossal Toms KONTAKT

DiSCOVER | 11 JANUARY 2016 | 2.53 GB

“Colossal Toms”, an ensemble of eight separately playable toms, with tunings from large and deep to high. One of the things that really makes this library stand out, easy to use, and realistic, is that we tried to max out the velocity layers, so each hit has up to 127 different, separately recorded dynamics. This means, on top of the fact that you virtually eliminate the problem of hearing one sample twice too soon, creating an artificial sound, but you can obtain extremely realistic performances. A loud section can be easily scaled down in dynamics, due to the fact that there are so many velocity layers – see the upcoming demos for examples of this.

Mutate KONTAKT

FANTASTiC | 10 January 2016 | 3.56 GB

Next generation virtual hybrid synthesizer for Kontakt 5!

Twist, mangle and transform unique multi-sampled waveforms to create powerful abstract Dubstep bass, twisted Techno sequences, morphing growls, Mainroom EDM bass / leads, cone-melting subs, lush chords, warm analogue bass and everything in-between… Combine complex evolving tones and ‘mutate’ them into oblivion with powerful parameter lock sequencers and extensive on-board processing / FX… Mutate is powered by a 3.7GB core library of unique raw waveforms and pre-designed preset multi-samples, synthesized from the ground up, and recorded directly from a huge hybrid analogue / digital Eurorack modular synth system.

Surdos & Snares KONTAKT

DISCOVER | 10 JANUARY 2016 | 2.40 GB

The latest installment in our percussion section boasts over 6GB of sample data, with maxed out (127) dynamic layers for full realism, and an extremely controllable sound and soundscape with various techniques. Epic Drums VST Library for Kontakt 4 (Full Version) and above – consisting of an ensemble of eight separately playable, differently pitched toms. “Surdos & Snares”, a percussion ensemble consisting of three snares and three surdo drums, all placed in the displayed formation (screenshot below), and reproduced faithfully, so you can play these drums, and they will sound in these positions. We have absolutely pushed the variation and authenticity to the limit with this library. There are 127 dynamic layers per hit/technique/key in these drums, which provides even more benefits than the obvious lack of repetition, or the dreaded “machine-gun effect”.

Arcus v1.0 KONTAKT

DiSCOVER | 09 JANUARY 2016 | 470 MB

Arcus is a ‘Cinematic Tool‘ used to create Cinematic ‘Spread Effects‘ used in composition. To create it we recorded over 3 hours of Double Bass and Violin.The end result is a moody instruments that allows composers to effortless move between keys and chords, as well as build tension.