Beat Issue 227 December 2024

PDF | 13.11.2024 | ENG:59.56 MB | GER:22.92 MB

(English and German Edition)

55 Synth Plugins reviewed – Which ones do you really need? Synths are simply indispensable! With the flood of new releases, however, it can be difficult to keep track and find the perfect plug-in for your sound. But don‘t worry, we‘ll do the work for you! On 22 pages, we evaluate the latest instruments, show them in use case workshops and provide audio demos so that you know exactly which synth is right for you. Of course, there are evergreens and freeware gems that no setup should be without. And as a bonus, there are over 10,000 presets to download so you can get started right away!

Electronic Sound 131, 2025 

English | 100 pages | PDF | 50 MB

Electronic Sound is the best electronic music magazine in the world. In-depth coverage of the current scene, the pioneers, the machines, and the current thinking of the electronic music world.

Electronic Sound 129 2025

English | 100 pages | PDF | 46 MB

BRIAN ENO and BEATIE WOLFE are gearing up for the release of their third collaboration of 2025, so it’s fantastic to have them on the cover of the latest Electronic Sound. We’re bundling the magazine with a lush purple vinyl ENO & WOLFE seven-inch too, one side of which features a track previously only available in Japan. Brian Eno’s partnership with composer and conceptual artist Beatie Wolfe, who Vice called “a musical weirdo and visionary”, has already given us two albums this year. Another is coming out next month. All three records – ‘Luminal’, ‘Lateral’ and the forthcoming ‘Liminal’ – blend dreamy, mesmeric and opulent ambient atmospherics with snatches of hushed Americana. The results are alluring and fascinating, as is our interview with the pair, which sees them talking about everything from the joys of hauling abandoned speakers out of skips to the very idea of creativity itself. Exploring the zone where music, art, science and technology come together, it’s a perfect cover story for Electronic Sound.

Electronic Sound 119

English | 100 pages | PDF | 43 MB

This is something special. With an exciting new boxset in the shops any day now, the latest Electronic Sound cover stars are the magnificent Throbbing Gristle and we’re bundling the issue with a limited edition red vinyl seven-inch featuring two previously unreleased TG tracks, including one of the last two recordings the industrial pioneers ever made. We’re looking back over the story of Throbbing Gristle this issue, interviewing the surviving members of the band and others associated with TG. Genesis P-Orridge, Cosey Fanni Tutti, Chris Carter and Peter “Sleazy” Christopherson ripped up all the rules, both sonically and visually, both as a live act and a recording unit. They are widely recognised as the prime movers of industrial music, but their influence and impact stretches way beyond any particular genre. Their early gigs attracted everybody from acid-fried hippies and spotty anarcho-punks to oddball alt-funkateers and hot-wired electronics freaks. There has never been another group even remotely like Throbbing Gristle.

Electronic Sound 121 2025

English | 100 pages | PDF | 38 MB

Electronic Sound is the best electronic music magazine in the world. In-depth coverage of the current scene, the pioneers, the machines, and the current thinking of the electronic music world.

Beat 228 Januar 2025 GERMAN

PDF | 03 January 2025 | 22.97 MB

STUDIOMONITORE: Alle Antworten zu Setup und Produkten auf 20 Seiten Das wichtigste Werkzeug zum Beurteilen von Mixen sind – na klar – die Studiomonitore. Doch worauf sollte man bei der Auswahl von Studiomonitoren achten? Warum ist es wichtig, dass diese einen linearen Frequenzgang haben? Und sind 2-Wege- oder 3-Wege-Lautsprecher für das Studiomonitoring die bessere Wahl? Das lösen wir gleich auf! Freue dich auf Antworten zu den häufigsten Fragen zum Thema Studiomonitoren. Plus Marktcheck zu allen aktuellen Aktiven inkl. geeigneten Kopfhörern.

Electronic Sound 114 June 2024

English | 100 pages | PDF | 62.5 MB

We’re investigating the visual art of John Foxx in this month’s Electronic Sound. While he is best known as the frontman of Ultravox and a revered solo musician in his own right, Foxx is also a highly distinctive visual artist. He has worked in photography, collage, graphic art and other media since the mid-1970s, and his extraordinary portfolio is detailed in a forthcoming book called ‘Electricity And Ghosts’. We’ve invited him to talk about some of his favourite pieces from the book, and the result is a fascinating glimpse into his artistic approach and the aesthetic principles he applies to both his imagery and his records. You could describe it as a sort of synthesis of John Foxx. We have a bumper selection of other great interviews elsewhere in this issue too, including Jeff Mills, John Grant, Suzanne Ciani, Orbital, Wolfgang Tillmans, Low End Activist, Keeley Forsyth and Chanel Beads. We also have a splendid new regular column called “The Best Of…”, which we think you’re going to really love. Our first volunteer is μ-Ziq man and Planet Mu label boss Mike Paradinas, who speaks about peaches, thigh-high socks and geek pies. As you do.