EHV 412ST. The perfect match for a modern variation of the brown sound. Loaded as standard, this cabinet features G12EVH speakers, with additional speakers added to deliver a similar tonal palette ranging from a classic greenback-style character to a more modern, aggressive sound, ideal for modern metal
The Rock-Box EDVH impulse response library captures and is seeking to recreate the sound of Celestion@ G12-EVH speakers loaded in Rock-Box cabinets. Impulse response files are provided in Wave Audio Format (.wav), and have been minimum phase transformed using a proprietary algorithm. Various unique construction choices were implemented to accomplish this complex requirement set to outstanding result, providing a tone with clean low end, magical midrange, smooth high end, and incredible note clarity across the entire spectrum.
Experience the Iconic Spring Reverb Sound: A True Piece of Recording History. We’ve dedicated this product to capturing the unmistakable spring reverb sound of this legendary recording unit. (Stay tuned! The tape delays from this unit will be released as a separate product soon.) Using our renowned IR capturing technique, we utilized two premium tape formulas—BASF 911 and 468—to deliver the best possible results. To make it even more special, we added an analog chorus effect (inspired by the Juno 106) to the reverb tails. You’ll have two stunning options: pure spring reverb or spring reverb with chorus.
THE ICONIC BROWN SOUND. The most iconic tone in rock history. THE BROWN SOUND. Now crafted into a cab designed for discerning players. Beginning with the original blend of Greenback and D120, later refined with Blackbacks and G1265s, this cabinet faithfully reproduces the tonal DNA that defined Eddie Van Halen’s early sound. Built with genuine vintage speakers, it delivers the authentic harmonic complexity, dynamic response, and unmistakable character that shaped an era of guitar tone
The unique circuitry that Mike Soldano pioneered didn’t just make the SLO-100 iconic. It is also responsible for the American high-gain sound prevalent in modern music today as it was almost four decades ago. These IRs were created by sending sweeps through the plug-ins and recording the response. The software files of the plug-ins were not tampered with in any way. These IRs are therefore not perfect copies of the IRs used in the plug-ins but they are close enough that you will not notice any major difference. They IRs are ordered in distance and position, so D02-P04 = distance 0.20 and position 0.40 in the actual plug-in. All of the IRs are in 48kHz samplerate, 500ms length and are minimum phase transformed.
Maybe the best compressor for Vocals and Bass. With these IR’s we came so close to the real deal that we got scared :) This is our masterpiece so far. We also included a comparison between the vintage hardware and our IR’s in Demo 2! (First Hardware, Second our IR) In the Demo 3, we used a stock Ableton compressor plug-in with our LA2A IR’s and the result was amazing. You gotta hear it yourself! In Demo 4, we made a Blind Test for you. Let us know if you can guess which one is which :) And please use at least headphones when you check out the demos. You will not regret it! You will get 12 different IR’s in 12 different peak reduction levels. 96kHz/24Bit Wav Files.
The journey to find your sonic identity as a musician and producer is one full of technical and engineering challenges. These obstacles ultimately disrupt your creative headspace and workflow. In collaboration with Zilla cabs we created a tool aimed to solve one of these issues. Introducing GGD Studio Cabs: Zilla Edition. Extracting the best sounds from Zilla’s lineup of cabinets, using a carefully curated selection of microphones and speakers we distilled all these sounds into an intuitive design, allowing you to make immediate changes in colour with the freedom to mix, combine and blend tones, creating your own unique palette of sounds.
