How to Produce Faster TUTORiAL

SYNTHiC4TE | Jan 31 2019 | 3.2 GB

More Effectively and Creatively

Indispensable video tutorial series on how to produce music and tracks faster, more efficiently and creatively. Presented in a “Talking Head” seminar style, this series contains 47 videos covering a wide range of topics, techniques and insights. If you work in a studio or need fresh ways to create your music and content, this series will be a great help. Adam starts of by welcoming you and then hits the ground running with tutorials on important time-management principles, ways to make sure you’re being effective in all aspects of creating music, tricks to make sure the person you’re pitching your track to recognizes your name, and how to avoid/reduce eye fatigue, when using your computer for more than a short period of time. Throughout the rest of the video tutorials you’ll gain priceless information on numerous topics relating to productivity in the studio, social marketing of your music, pitching your music to others, setting different moods in your workspace for more efficiency and creative stimulation, DAW tips and tricks, implementing theories such as the 80/20 rule, time challenges, and the “Ten Ideas a Day” exercise and much, much more.

Audacity Beginner TUTORiAL

P2P | 16 January 2019 | 783 MB

Learn How To Record,Mix And Editing

Quickly learn how to use Audacity For Beginner in this short dense course, and get creative Ideas. You will now be able to offer high quality audio for podcasts,  courses, tedex, speeches, sermons, and more with these professional editing techniques! Stop wasting your valuable time searching the internet for the right material and get everything you need to edit and improve audio files easily in Audacity in this step by step tutorial course!

How To Use Chipspeech TUTORiAL

SYNTHiC4TE | Jan 14 2019 | 949 MB

This time he’s checking out a very unique plugin in How To Use Chipspeech. A vintage-style speech synthesizer, Chipspeech recreates the sound of famous 80′s voice synthesis chips. Featuring 12 different voices, each with its own characteristic timbre, it also features circuit bending emulation and a multitude of different controls so the sound can be extensively modified for easy and expressive performances. Once you’ve typed in your lyrics, you then then play the syllables on your MIDI keyboard. Over these 4 videos, Bluffmunkey runs through all of the controls and how to automate parameters in your DAW before layering a chord progression to showcase what it can do. This is something not to be missed as you won’t find another plugin like this one!

How To Make Weekend TUTORiAL

SYNTHiC4TE | Jan 05 2019 | 2.48 GB

This week we welcome back downtempo and ambient multi-instrumentalist, for an all-new course in Ableton 10 on how to make his track Weekend. In this three hour course, we learn how to build this ethereal yet powerful and epic track from scratch. Starting with the analog lead chords with it’s flowing arpeggio and automated sidechain using Ableton’s utility plugin, we move on to building the sub and kick before layering further melodic textures using WNTER’s signature time-stretching and resampling techniques. Just by using a handful of simple samples, we create epic pad and string sections drenched in reverb and finish off with arranging all the elements we’ve created before mixing down the song and carrying out a basic master so it’s ready to be released.

How To Make REDRUM TUTORiAL

SYNTHiC4TE | Dec 18 2018 | 5.86 GB

Following on from his Tech Tips on pop vocals for a brand new course where we get to check out how to make his new single REDRUM – a sinister, hard-hitting, lyrical track that skilfully merges pop, hip-hop and RnB. Over these 17 videos, we get to watch as Austin recreates his song from scratch. Starting with the initial chord structure, a dark theme emerges that helps with both eery sound design and vengeful lyric writing for the hook. We build a basic rhythm before layering synths and percussion to help structure and arrange the track’s progression. We flesh out each of the different sections by layering further synths, atmospheres and effects to create a dope and varied instrumental, which in turn gives us a track to work from to finalise the lyrics. Austin then moves on to a detailed look at how to process the vocal stacks before we carry out the mixdown, adding ear candy, automation and tweaks, to complete the track.

How To Make Deep House 2018

SYNTHiC4TE | Nov 19 2018 | 3.69 GB

Starting with a template, we build different grooves in the session view before adding bass lines, the all important jazz style chords, sampled pads, sax and vocals, so we have a variety of loops to choose from. We then build a selection of different scenes so we can record them live into the arrangement view before going more in-depth to edit and tweak our arrangement into a more structured song. Finally we add automation to create interest and help with transitions, before mixing down the track and carrying out a self-master so it’s ready for the club. Packed full of tips and tricks from a certified Ableton instructor, we guarantee you’ll pick up some new techniques to take your skillz to the next level with this one! Enjoy!

How To Use Chromaphone 2

SYNTHiC4TE | Nov 19 2018 | 106 MB

‘How To Use’ course – and this time he’s checking out Chromaphone 2. This cool and incredibly organic sounding VSTi is a Percussion Synthesizer that can create authentic tuned and unpitched percussion, along with other instruments, from scratch meaning you can create and design your own completely unique sounds instead of using samples. The sound engine features two resonators, each of which has eight possible modes: open and closed tube, marimba, beam, membrane, plate, string and manual modes. These resonators may be used in parallel (ie. independently), or coupled so that each modulates the other. Chromaphone then uses mallet and noise modules that simulate the difference in sound between soft and hard beaters giving you a multitude of outcomes and timbres. In this two-part course, 2Scoops firstly checks out the user interface and how the synth works demonstrating some of the presets before moving on to using Chromaphone on a track, shaping his own sounds for bass, leads and percussion.